Monuments, Bucharest

The Cenad Palace (Palatul Cenad) is a three-story, 19th century, eclectic, neo-classical, architectural style palace located in the city of Arad, Romania. The palace was constructed with the sole purpose of functioning as the headquarters for Arad’s Railway Company. Funding for the palace was provided by the very wealthy and aristocratic Count Želenski Robert. The Cenad Palace has an imposing presence in the Arad center. It is surrounded by many other eclectic and neo-classical style buildings which were Arad’s predominant architectural styles in the era of the late 19th century. The palace is considered and listed as one of Romania’s Historical Monuments. The palace is shaped like an L and contains two spectacular towers on the front left and front right corners. There are four separate entrance gates which lead inside the building. The palace’s courtyard contains two dazzling 19th-century gas chandeliers which have been well preserved for many decades. https://roamingromania.com/cenad-palace-arad/

Ivan Meštrović’s masterpiece “Belgrade’s statue of the Victor” is just one part of the fountain that was planned to be the crowning jewel of Serbia’s capital. Fountain remained unfinished, and the Victor being too liberal for the eyes of war-ravaged Belgrade, was sent from a shed in Senjak, not to Terazije, but to the edges of Kalemegdan’s fortress instead, where the spirits that brought a new age upon us made it a symbol of Belgrade. Three years before the World War I the Terazije’s Plateau was reconstructed so that between the two lanes was left enough space for a splendid fountain. City officials entrusted the construction of the fountain to the most famous Yugoslav sculptor – Ivan Mešrović. His idea was to make the commemorative drinking fountain with its central masterpiece, the Victor, which was supposed to symbolize the freedom of a five century long slavery under the Turks, and the final victory. http://www.serbia.com/belgrades-statue-of-the-victor-from-terazije-to-the-kalemegdan/

The Millennium Cross (Macedonian: Милениумски крст, Latinic: Mileniumski krst) is a 66 metre-high cross situated on the top of the Vodno Mountain in Skopje, Republic of Macedonia. It was constructed to serve as a memorial of 2,000 years of Christianity in Macedonia and the world. The construction of the cross began in 2002 and was funded by the Macedonian Orthodox Church, the Macedonian government and donations from Macedonians from all over the world. The cross was built on the highest point of the Vodno mountain on a place known since the time of the Ottoman Empire as "Krstovar", meaning "Place of the cross", as there was a smaller cross situated there. On 8 September 2008, the independence day of the Republic of Macedonia, an elevator was installed inside the cross. In 2009, a restaurant and a souvenir shop were opened next to the cross. In 2011 the Millennium Cross ropeway was opened. The ropeway is three and a half km long. At night the cross shines down over the city. http://www.exploringmacedonia.com/millennium-cross.nspx

Laid out in 1896 to mark the thousandth anniversary of Hungary, Heroes' Square (Hősök tere) is the largest and most impressive square of the city. Located at the end of Andrássy Avenue and next to City Park, Heroes’ Square is one of the most visited sights in Budapest. Surrounded by two important buildings, Museum of Fine Arts on the left and Kunsthalle (Hall of Art) on the right, Heroes’ Square is also a station of the Millennium Underground. The Millennium Monument in the middle of the square was erected to commemorate the 1000-year-old history of the Magyars. Archangel Gabriel stands on top of the center pillar, holding the holy crown and the double cross of Christianity. The seven chieftains who led the Magyar tribes to Hungary can be seen on the stand below. Statues of kings and other important historical figures stand on top of the colonnades on either side of the center pillar. http://visitbudapest.travel/guide/budapest-attractions/heroes-square/

Monument of the Revolutionary Deed is also known as the Revolutionary Memorial Walk and concerns, of course, battles waged in the Rzeszow region. This monument from the beginning aroused much controversy, and various associations. In the stylized laurel leaves some people saw a donkey ears, others had a more obscene connotations. The general contractor was the work of Enterprise Works Road Krakow. Sculptures made in Krakow and they were installed on the monument at the end of 1973/74. In the spring of 1974 the monument was almost ready. In the absence of Wladyslaw Kruczek unveiling of the monument made in the company of George Gawrysiak deserving veterans, fighters, war veterans and accumulated large numbers of society. At the memorial held ceremonies like feta, fits, vows, etc. to give paraded before the grandstand on the May Day demonstrations. https://www.polandtraveltours.com/en/travelguide/monument-revolutionary-deed-rzeszow/

The Duatepe Monument was built by afforestation of Gazi Tepe, Türbe Tepe and Mangal Mountain on the last line of defence where Sakarya Square War, which is considered the turning point of the War of Independence, was held. Work started in Duatepe in October 1999 and 20 thousand trees were planted and the monument was completed and opened on 12 September 2000. Polatlı, Duatepe Monument consists of five parts: parking lot, connection road, walkway, ceremony area and monument. There is information written in brass letters of 81 martyrs in Duaepe on the walls of the monument. The creator of the monument and sculptures is the State Artist sculptor Metin Yurdanur. The monument symbolically tells the story of the Anatolian people running to victory and civilization like an enthusiastic river under the leadership of Mustafa Kemal Atatürk. The figure of Mustafa Kemal on his prancing horse expresses the pride and happiness he has become the leader of the Turkish Nation. The sculptures of Atatürk, İnönü and Marshal Fevzi Çakmak, which are in the background, describe the command unit and the statue of Halide Edip Adıvar describes the contribution of the Turkish woman to the War of Independence. The scene where Atatürk and his child watch the plain through binoculars expresses the Turkish nation, which is waiting for the victory to be won a little later and the next independence. https://www.kulturportali.gov.tr/turkiye/ankara/gezilecekyer/duatepe-aniti

Tower of All Saints, locally called Kula Svih Svetih is also called Capello tower or Rampada. It is built 1493, as part of 12 Korcula towers. It is located on the South-East part of Korcula Town walls, situated in Rampada street, Zakerjan area. Nowadays, the only basement is left of this tower. It is named after All Saints Church located in its near vicinity. https://www.korculainfo.com/towers/all-saints/

Before building of Anitkabir, Anittepe’s (Monument Hill ) name was Rasattepe (Observation Hill) because there was an observatory on this hill. There were also tumultuous (graves) belonging to Phrygian civilization of 3rd Century BC on this hill. Archaeological excavations took place to remove these tombs after the decision was given to build Anitkabir on Rasattepe. Remains found on these excavations are on display in the museum of Anatolian Civilizations. The first stage to start the construction was the expropriation of the land after deciding on the Anitkabir project. Actual construction of Anitkabir commenced on 9 October 1944 with a splendid ceremony by laying the first stone of the foundation. Construction of Anitkabir took nine years in four stages. Second stage construction, comprising the mausoleum and the auxiliary buildings surrounding the ceremonial ground, started on 29 September 1945 and completed on 8 August 1950. The third stage was comprising the construction of the roads leading to the mausoleum, Lions’ alley, ceremonial ground, the mausoleum’s upper-level stone pavement, grand stairs, putting the big tomb stone in its place and installation of electricity, plumbing and heating systems. https://www.ktb.gov.tr/EN-103960/ankara---anitkabir-ataturks-mausoleum.html

One of the most significant monuments of the island of Hvar is definitely the Church – fort erected in 1571, after the Turkish attack on the location of an older church that originated in 1465. The church has the shape of a fort with an observation post and a loop-hole and from its top, there is a beautiful panoramic view of the surrounding places and fields. The church preserves valuable works of Stefan Celesti ('Lady of Mount Carmel'), Antonio Sciuri ('Mary's Childbirth'), Giuseppe Alabardi ('Resurrection' and 'Placing into the tomb') Marko Rašica ('Lady of Mount Carmel') and Celestin Medović ('Homage of the Three Kings'). https://www.visit-hvar.com/tours/church-fort-of-st-mary-vrboska/HV-TR-23

Column in honour of the Holy Trinity and the crowned queen of heavens, Mary. The Plague Column was erected in 1713 by order of the "Royal Town of Eisenstadt". It was meant to serve as plea to God to free the city from the plague. On the pedestal there are representations of Saint Rochus, Sebastian, Kajetan, John of Nepomuk and Saint Rosalie. Right above them is a cartouche featuring the coat of arms of the city. At the feet of Saint Francis there is a plaque with rolled up ends on both sides. On the slender, Corinthian column wrapped with bay leave twigs there are: God the Father and Jesus, as well as the coronation of Mary, above them all hovers the Holy Spirit. https://eisenstadt-leithaland.at/plague-column.html

The Ivanova Gora (literally: Ivan’s Mount) is virtually a sacral place for Poltava locals: it is city’s historical core, where the whole complex of architectural and historical attractions, each having a status of Poltava’s highlight, is situated. This place is notable for being an excellent observation area that opens wonderful views of the city downtown and its most token structures. The Ivanova Gora is a high picturesque hill that towers above the Vorskla River. Historians believe that it is there that the citadel of the annalistic town Ltava, the predecessor of modern Poltava, stood in the 12th century. Later, the earthen fortress, which held back the Swedish troops’ assault for three months during the Northern War, was built on the hill. One of its fifteen wooden towers, the Podolskaya Tower, was recently restored and added to Ivanova Gora’s list of attractions. Another Ivanova Gora’s token monument and modern Poltava’s symbol, the monument to Galushka, is installed near the White Belvedere. It is a deep plate with twelve Galushkas (dumplings) and a large spoon, which stands on a pedestal shaped as a wooden tabletop. The monument was opened on the birthday of the most famous native of Poltava region, the eminent writer Nikolai Gogol, who immortalized this cult Ukrainian dish in his works. Every summer, an original Holiday of Poltava’s Galushka takes place near the monument. https://discover-ukraine.info/places/eastern-ukraine/poltava/1391

The stories about the sphinx in Zadar and the treasure buried under it were the inspiration for many fantasies of generations of Zadar inhabitants. The replica of the Egyptian Sfinx in Zadar had the relief of an eagle, and instead of claws, it had fingers with which it was once holding a big sword for the protection of a shell with a little fishpond. Devastated by the pain because of the premature loss of his wife Attilia, the famous Zadar citizen Giovanni Smirić in 1901 built a sphinx made of concrete in her honour. It can be found in the part of the city called Brodarica, within the space of the Villa Atilia and the park in the bay Maestral, and according to a legend it fulfils love wishes to romantic souls. https://zadar.travel/attractions/attractions/sphynx

This new symbol of Zadar is located in the Zadar port on the western point of Zadar Peninsula. The Greeting to the Sun is overlooking the Zadar Channel, the islands and the widely known sunset. With this installation, Zadar has got a new tourist attraction. The modern installation Greeting to the Sun is made of 300 multilayer glass solar panels in the shape of a circle of a diameter of 22 meters. Throughout the day it collects the energy of the sun and transforms it into the electricity, which is consumed in and around the installation throughout the night. The Greeting to the Sun in the immediate proximity of the Sea Organ, the second modern intervention on Zadar's waterfront, and both of them brought Zadar to the front covers of all the world media. https://zadar.travel/attractions/attractions/the-greeting-to-the-sun

The great fire of the original wooden houses in 1584 gave rise to Mikulov square in its present form. Part of the square, which is also the entrance to Mikulov Castle, is formed by houses with a Renaissance core and picturesque arcades. Probably the most interesting of the Renaissance buildings is the bourgeois Knights’ House (dům U Rytířů), which was created after the rebuilding of several Gothic buildings in the second half of the 16th century. At first glance, you can not overlook it on the square due to its sgraffito decoration with biblical and ancient scenes covering two-thirds of the house. The painting draws attention to the fact that it was originally a two-story house. Another feature of the square is the statue of the Holy Trinity, in addition to showing the Trinity it also displays angels that symbolize faith, hope and love. The column is complemented by statues of St. John of Nepomuk, St. Francis Xavier and Charles Borromeo, who were supposed to protect the inhabitants of the city from the plague. The Plague Column was built during the reign of the Dietrichsteins in 1724. http://www.czechtourism.com/a/mikulov-historic-market-square/

Leonidas I, the legendary King of Sparta, is best remembered for his heroic last stand at the Battle of Thermopylae in 480 B.C. Leading a small force of 300 Spartans and their allies against the vast Persian army of King Xerxes, Leonidas became a symbol of courage, sacrifice, and unwavering dedication to duty. His leadership and defiance in the face of overwhelming odds immortalized him as one of the greatest warriors in history.North of modern Sparta, an impressive ancient structure stands as a testament to his legacy. Built in the 5th century B.C. from massive limestone blocks, this edifice, known as the Leonidaion, is believed to be the tomb of Leonidas. Initially discovered by archaeologist Waldstein in 1892, the site was originally thought to be a small temple due to its grand architectural design. However, according to the ancient historian Pausanias, the remains of Leonidas were later transferred here after the battle, reinforcing its significance as a monument to the Spartan king. The tomb itself is a remarkable structure, measuring 12.5 by 8.3 meters, with a temple-like appearance. Its interior consists of two connected chambers, one of which served as a vestibule adorned with columns. Although some scholars argue that it may have been a cenotaph or a temple dedicated to Apollo Karneios, local tradition firmly holds that this is indeed the final resting place of Leonidas. Beyond its architectural intrigue, the Tomb of Leonidas holds deep cultural importance. In ancient times, it was the focal point of annual commemorative games, where Spartans honored their fallen king with athletic and martial competitions. Even today, Leonidas' legacy endures, inspiring not only historians and scholars but also visitors who come to admire this ancient monument.For those exploring Sparta, the tomb remains a must-visit site, offering a glimpse into the life and heroism of one of history’s most revered warriors. The structure stands as a powerful symbol of Spartan values—strength, honor, and resilience—that continue to captivate the imagination of people around the world.

The Holy Trinity Column in Olomouc is the largest group of Baroque statues within a single sculptural monument in Central Europe. The column reaches a height of 35 metres and its lower part houses a chapel. The sculptural decoration is made of 18 stone sculptures of saints, 12 light-bearers and 6 relief busts of the apostles. The column is dominated by gilded copper sculptures of the Holy Trinity on the top and the Assumption of the Virgin beneath it. The larger-than-life figures are enveloped in light, airy drapery with lively expressions on their faces and corresponding gesticulations of their hands. The overall sculptural decoration has a natural and harmonious appearance without being exaggerated in the typically flamboyant and exaggerated Baroque mode. http://tourism.olomouc.eu/sights/fountains-and-columns/detail=230/en

The Monument to the Nibelungs or Nibelung Fountain is dedicated to a scene from the great medieval German epos: the meeting of Kriemhild, Queen of Burgundy, and Etzel, King of the Huns, in Tulln. It is depicted in a set of bronze sculptures by sculpture Michail Nogin. The Nibelung Fountain is truly a sight to behold on summer nights. An integrated and esthetic light-water-stone composition of the fountain sculptor Hans Muhr lends the artwork even more depth: the fountains of water rise out of an open book – Lay of the Nibelung. The fountains alternately become stronger on each side until their streams of water finally touch and mix – this feature also corresponds to the symbolism of two worlds, East and West, approaching each other in Tulln. http://erleben.tulln.at/en/art/major-sights/monument-to-the-nibelungs/

City Tower, a symbol of Rijeka and a good example of a typical round tower access-point, which lead into the fortified town. Today it dominates the central part of Korzo, although during its lifetime it was overtopped by more recently constructed buildings. It was built in the Middle Ages, probably on the foundations of the Late Antique littoral town gates. Some baroque phases of its construction can be seen on the lower part of the front of the Tower, which are characterised by a richly decorated portal, an imperial coat of arms carved out of stone and relief of the Austrian emperors Leopold and Charles VI. Rijeka paid them special respect due to the maritime orientation they introduced into the state policies of the Austrian court. The Tower’s superstructure, on which a city clock has been situated since the 17th century, has been remodelled several times; most significantly at the turn of the 18th century under the guidance of municipal engineer A. Gnamb, the last time was at the end of the 19th century, based on a design by F. Bazarig. http://www.visitrijeka.eu/What_To_See/Monuments/City_Tower

On the promontory in front of the one-time cemetery, a girl of stone extends her arm to a gull. This, however, is a new sculpture, the work of sculptor Car, and it was erected here in 1956 and turned into one of Opatija’s symbols. Before that, in its place, namely until demolished by a storm, stood the “Madonna del Mare,” the work of sculptor Rathausky from Graz (his also is the fountain “Helios and Selene” in the park between St. Jacob’s Church and hotel Imperial). The “Madonna” was erected to keep vigil over the soul of count Arthur Kesselstadt, who vanished, not far off from that promontory swallowed by the pre-Easter waves in 1891. During that excursion, the countess Fries also lost her life, but her son Georg was saved. Today a gilded variant of the Madonna can be seen in front of Saint Jacob’s Church. http://www.opatija.net/en/sights/madonna-del-mare

The girl with the seagull is a symbol of Opatija and the whole of Kvarner. An elegant statue on a rock along the coastal promenade Lungomare in Opatija hides an interesting story and the identity of a girl who has been a secret for decades. The story began back in 1891 when Count Arthur Kesselstadt tragically lost his life in a spring storm at sea in front of Opatija. Overwhelmed with pain, the count's family placed a sculpture "Madonna del Mare" on a rock by the sea to watch over his soul. Time left a mark on the sculpture and damaged it, but it was later restored. Today, the gilded replica is located next to the church of St. Jakov, and the original is kept in the Croatian Museum of Tourism in Villa Angiolina. When the place where the "Madonna" once stood was left empty, it was decided to place a new sculpture on it. The "Girl with the Seagull" was set up in 1956 on a location with a beautiful sea view. The scene is especially impressive at night, when the sculpture is illuminated by special spotlights, or during storms, when waves crash against the shore and water spills over the rocks, creating the impression of a nymph born from foam. That is why this statue is often called the "Opatija nymph". http://www.visitopatija.net/hr/atrakcije/djevojka-galeb

Located right in the centre of Opatija, St. James’ Park is a recognisable landmark of the town. The well-manicured green lawns and the harmony of colourful flowers make a perfect setting next to the Church of St. James. The park is distinguished by its neo-baroque fountain with sculptures of Helios and Selene (the god of the Sun and goddess of the Moon in Greek mythology), a work by the sculptor Hans Rathausky. The park stretches down to the sea where the Juraj Šporer Art Pavilion is located – the venue of many artistic events and exhibitions. https://www.visitopatija.com/en/st-james-park-a-harmony-of-colours-and-scents-p480

The “Golden Gate” was erected between the years 29 and 27 BC by the Sergi family, in honor of three members of the family who held important positions in Pula at that time. This triumphal arch leaned against the city gate Porta Aurea thus called because of its richly ornamented arch or gilded elements. The gate and wall were pulled down in the beginning of the 19th century as a result of the city expansion outside the city walls. The Arch was constructed in Corinthian style with strong Hellenistic and Asia Minor influences both in the method and ornaments. As the eastern side was not visible it has remained for the most part uncarved, while the western, town side is richly decorated. Today numerous cultural performances, theatrical and musical, are held on the square next to the Arch. The adjacent street is a shopping area. https://www.pulainfo.hr/where/triumphal-arch-sergi-golden-gate

It is known that Zeynel Abidin, one of the prominent of the Rufai Sect, built a lodge, mosque and fountain in the environment where the tomb is today. Known as Imam Sultan in Kayseri, Zeynel Abidin died in Kayseri in 1414 and a modest mausoleum was built on the grave at the present place. II. In the time of Abdulhamit, in 1886, the existing tomb was built in the place where Zeynel Abidin's grave was located. The tomb is a square planned structure and is covered with a dome. There are two lines of couplets on all the windows of the building with three windows on each side. There is a sarcophagus of Zeynel Abidin in the middle of the tomb. In the building inscription on the entrance door of the building, it is engraved on an oval medallion. https://www.kayseri.bel.tr/kesfet-listeleme/zeynel-abidin-turbesi

The city square in the centre of Prague is a traditional venue for celebrations, demonstrations, and public gatherings. It was witness to many historic moments. It is also the second-largest square in the entire Czech Republic, and is a gathering place for Prague residents. When you say, "Let's meet at the horse," everyone knows that the meetup place is the equestrian statue of the patron saint of the Czech lands: the statue of St Wenceslas, which reigns over the entire square. http://www.czechtourism.com/c/prague-wenceslas-square/

At Langelinje Pier you will find one of Copenhagen's most famous tourist attractions: The sculpture of The Little Mermaid. 23 August 2013 she turned 100 years old. Unveiled on 23 August 1913, The Little Mermaid was a gift from Danish brewer Carl Jacobsen to the City of Copenhagen. The sculpture is made of bronze and granite and was inspired by Hans Christian Andersen’s fairy tale about a mermaid who gives up everything to be united with a young, handsome prince on land. Every morning and evening she swims to the surface from the bottom of the sea and, perched on her rock in the water, she stares longingly towards the shore hoping to catch a glimpse of her beloved prince. Carl Jacobsen fell in love with the character after watching a ballet performance based on the fairy tale at the Royal Danish Theatre in Copenhagen. The brewer was so captivated by both the fairy tale and the ballet that he commissioned the sculptor Edvard Eriksen to create a sculpture of the mermaid. https://www.visitcopenhagen.com/copenhagen/little-mermaid-gdk586951

Its hilarious properties was in fact not discovered until after it was built, and has since become a simple but interesting tourist attraction. The towers vault construction makes any sound made under the dome echo like crazy. You can hear even the smallest whisper or squeel. Throw some rocks, scream, laugh and have fun! The water tower is fun both for the young and the old. The water tower is located just outside Teleborg, a couple of kilometres from town. You can go by car or take the bus. If the weather permits you can even walk, and take the chance to see some of the växjös beautiful lakes on the way. http://www.vaxjotourist.com/teleborg-water-tower.php

The monument dedicated to the 100th birthday of Paul Keres, an Estonian chess player and international grandmaster, is located on a square between Puškin Street and Peeter Square. The authors of the monument are well-known Estonian sculptors Aivar Simson and Paul Mänd. Their idea was to make it possible for people to sit opposite to Keres behind the chessboard and think about the next move. The monument depicts the game between Keres and Walter Browne in Vancouver in 1975. The monument mistakenly shows Keres playing with white pieces. The sculpture is made of bronze. https://www.visitestonia.com/en/monument-to-paul-keres-1

The representative square of Tallinn – Freedom Square is a popular meeting place designed for pedestrians. The monument to the War of Independence is also located there. Over the years, the square has gone by many names: Heinaturg (Hay Market), Peetri plats (Peter’s Square), and Võiduväljak (Victory Square) among them. It was first named Freedom Square in 1939, remaining that way until 1948. The name was readopted in 1989. The defensive structures found at archaeological excavations have been preserved and stored in the parking lot under the square; the remains of the guard gates of the defence tower can be seen at the end of Harju Street through a glass screen. https://www.visitestonia.com/en/freedom-square-in-tallinn-and-the-monument-to-the-war-of-independence

Tammsaare Park is located in the centre of Tallinn, between the Estonia Theatre and Viru Keskus shopping centre. In 1896, one corner of the park became the new site of Tallinn’s market, which was formerly located on Town Hall Square. From 1903–1905, the park was home to a giant wooden ‘Interimstheater’ – a barn-type hall that was a venue for theatre performances and cinema screenings. When this building burnt down, space was landscaped and pathways were constructed. In 1978, a statue of A. H. Tammsaare was erected in the centre of the park to mark the Estonian author’s 100th birthday. Tammsaare Park has modern lighting, white park furniture, and thousands of flower bulbs. https://www.visitestonia.com/en/tammsaare-park

The Russalka Memorial was built in 1902 by Amandus Adamson in memorial to those who lost their lives at the Gulf of Finland on the Russian navy vessel called Russalka. The 16-metre sculpture was placed by the sea where the promenade from Kadriorg Palace comes down to meet the Bay of Tallinn. The monument depicts a bronze angel on a granite pillar pointing an Orthodox cross in the assumed direction of the sunken ship. https://www.visitestonia.com/en/the-russalka-memorial

The castle is visible wide around and has three towers with stately hoods. It appears to be one of Sweden's most powerful 16th-century castles, surprisingly well preserved despite rebuilding and decay. The estate has long belonged to the families Sture and Banér. It has been uninhabited since 1934. In recent years the restoration has recreated both exterior and interior and the castle is now on display as a museum. Since 1974, Ekenäs Castle has been a building monument. Ekenäs Slott is a genuine fairytale castle, dating back to the 17th century. A popular jousting tournament is arranged in spring, guided tours in summer, ghost tours in autumn and Christmas market in winter. Just 20 km east of Linköping. https://visitlinkoping.se/en/g%C3%B6ra/attraktioner/slott-och-herres%C3%A4ten/eken%C3%A4s-slott

The nature area around the Baldersbæk pleasure castle tells the story of the Copenhagen plantations, their owners and nature views in the early 1900s. Here are original sandstone statues from the Copenhagen Stock Exchange, lush carp dams and a smaller castle - which contrasts sharply with the once heathen pauperous landscape. The area around Villa Baldersbæk was renovated in 2013-14, so it is possible to experience the many details of the place on the nearest team. There is a marked path that leads around the area to the Treherreds stone, the stone nozzle, the ice cellars, the carp ponds and the fountain "The insidious boy". (The boy can't hold tight and you start the beam by stepping on the step. The fountain is in operation in the summer). The "castle", which is called the villa at Baldersbæk, is modelled with Frederiksdal Castle. There is no public access to the villa, but you can get close. The private area is clearly marked. The villa is still used for residential purposes. https://www.visitbillund.dk/billund/service-information/baldersbaek-plantage-og-villa-baldersbaek-gdk622699

North of the town of Le Puy-en-Velay, Aiguilhe is famous for its rock (a dormant volcanic pipe) with an astonishing and magnificent chapel dedicated to St Michael built in the 10th century. This is one of the most important pre-Romanesque and Romanesque monuments in Auvergne. Prosper Mérimée included the building in the first list of Historic Monuments drawn up in 1840. More recently, it came fourth in the list of French people’s favourite monuments in 2014. Godescalc, the Bishop of Puy, and Truannus, the dean of the chapter of Puy Cathedral, commissioned work on a chapel devoted to St Michael in 961. Godescalc was also the first French pilgrim to follow the Way of St James in about 950, inaugurating the "Via Podiensis" trail to Santiago de Compostela. The original oratory in this imposing structure was limited to today’s choir area. It was enveloped in a larger monument in the 12th century, built to follow the outlines of the rock’s summit. The extended chapel was built without foundations, and contains a nave, an ambulatory and a tribune, along with a remarkable polychrome and trefoil-shaped facade. https://www.lepuyenvelay-tourisme.co.uk/monuments-puy-en-velay/rocher-et-chapelle-saint-michel-daiguilhe/