Arad

The Roman-Catholic Episcopacy Palace is one of the most representative Baroque buildings in Timişoara. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/240-palatul-episcopiei-romano-catolice.html

The monument has two names – both used: “St. Mary monument” and “St. Nepomuk monument". Both are (and were) correct, but could cause confusion: there was another “Mary”, quite famous, and it is in the namesake square from Iosefin, and there is also another Nepomuk near the Millennium Church in Fabric. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/230-monumentul-sfintei-maria.html

Libertăţii Square is undoubtedly the oldest of the Timişoara squares. Libertăţii Square’s location is also the site of the original nucleus from which Timişoara’s evolution started, the first place where people settled and lived continuously in the hearth of today’s city. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/250-piata-libertatii.html

This is one of many places of worship that were declared historical monuments and it can be visited on 5 Parcul Traian Street. Its troubled history had an influence on whom to choose as a patron saint and how its interior developed, since it was used consecutively by priests and believers of three denominations – Roman-Catholic, Ruthenian (Greek-Catholic) and, at present, Orthodox Christians. http://oradea.travel/en/?p=1957

THE BLACK EAGLE COMPLEX is probably the most monumental architectural accomplishment in Oradea and in Transylvania, as far as the Secession building style is concerned. The contest to build this architectural complex was won by architects Komor Marcell and Jakab Dezső. http://oradea.travel/en/?p=1913

THE STATE THEATRE dominates Ferdinand Square with its imposing features. Situated in the center of a true architectural museum, this building in eclectic style imposes with exceptional craftsmanship. The construction, so avidly desired by the municipality of the age, was entrusted to renowned Viennese construction firm Fellner and Helmer. http://oradea.travel/en/?p=1873&nggpage=2

The neighbouring building is the Town Hall built by the plans of Ödön Lechner and Gyula Pártos. The 150-year-old building of the City Hall was demolished in 1892. József Katona, the writer of our national drama worked there for 10 years. He collapsed and died at the entrance. The cracked stone monument set up at the scene of his heart attack in front of the building reminds us of this tragic event. The notice on this monument says: „The heart of the son of Kecskemét broke here.” In 1895 the offices moved into the building of which area is 5534 m2 and has 174 rooms. On the 8th July, 1911 there was a huge earthquake in the city which did not spare the City Hall either. Its collapsed chimneys and cracked walls were soon reconstructed under the direction of Ödön Lechner. The style of the building with its nearly rectangle-shaped ground-plan mixes the forms of the French Renaissance architecture and the elements of our popular art. The Ceremonial Hall is the venue of the General Assembly meetings of the city, national and international conferences, wedding ceremonies and ceremonial receptions. The period furniture of the Ceremonial Hall is handicraft work. The wooden furniture and the printed leather backed chairs were made in Szeged according to the design of Lechner and Pártos. The beautiful and richly coloured glass windows were made in the workshop of the famous Miksa Róth. The decorative wall-painting was made by Adolf Götz, the wall-candlesticks and the chandelier were made by Sándor Árkay, Imperial and Royal locksmith upon the basis of the designs of Szilárd Várady. The paintings were made by the famous Hungarian painter Bertalan Székely. These paintings show some periods of the Hungarian history embracing one thousand years. https://www.budapest.com/hungary/kecskemet/sights/town_hall.en.html

Let 'us go towards the main square again. About 100 meters away on your right in Arany János Street you can find the Lutheran Church built in the 19th century. Until the end of the 1980s Miklós Ybl’s masterpiece, decorated with Romanesque motives, was hidden by cheap stores; today it can be seen in its original beauty. https://www.budapest.com/hungary/kecskemet/sights/lutheran_church.en.html

Let's start our walk in the main square of the "Famous Town" that used to be the market-place for centuries. Here you can find the Big Catholic Church which is the largest cathedral in the Great Hungarian Plain built in the style of the age of Louis XVI of France. Looking down from the 73 meter tall tower you can see the panorama of the town. https://www.budapest.com/hungary/kecskemet/sights/big_catholic_church.en.html

The eclectic-style Financial Palace was completed in 1912. Earlier, the plot was occupied by the house of György Komáromi Csipkés, a judge of the city, which hosted the preparatory negotiations of the Treaty of Szatmár in 1711. https://www.budapest.com/hungary/debrecen/sights/financial_palace.en.html?sid=lo2o84r1d855jiat310e3cglb5

Built in Baroque and Louis Seize style, the church was elevated to cathedral rank by Pope John Paul II in 1993. A certified replica of the Turin Shroud has been on display in the building since 2011. 2015 has been designated as Catholic Memorial Year, to mark the tercentenary of the movement started to reorganize practices and activities of the Catholic faithful in Debrecen. https://www.debrecen.hu/en/tourist/places/st-annes-cathedral

The Reformed Great Church of Debrecen is one of the most significant Classicist historic buildings of Hungary. It was designed by Mihály Péchy, and built between 1805 and 1822. Its north-south nave (with the organs at its two ends and with the pulpit at its north end) is 38 m long and 14 m wide; its east-west aisle is 55 m long and 15 m wide. http://www.debrecencity.com/en/debrecen/culture/churches/the_reformed_great_church

The Déri Museum is most famous for being the home of the greatest works of one of Hungary’s most famous and celebrated artists, Mihály Munkácsy, as well as the huge collection of other items, brought together by Frigyes Déri. Munkácsy’s awe-inspiring Christ Trilogy is housed here, the first of the trilogy, entitled front of Pilate was painted in 1882, followed by Golgotha in 1884. The trilogy was completed with Ecce Homo in 1896. In addition to its exhibits of local cultural interest, the Déri Museum has become renowned for Frigyes Déri’s collection of weapons. The weapons collection is particularly fine, comprising of three parts. Weapons from Christian Europe, from the 15-18th. The second part is comprised of classic Muslim weapons from the territory of the Ottoman Empire and Persia. The third part, although the smallest is the finest part, is the weapons collection from the Far East. The Japanese collection is of commonly used items made in the Edo era and is undoubtedly the best in Hungary. https://visitdebrecen.com/see-do/deri-museum/

Having functioned continuously as an educational institution since its establishment in 1538, the college is the cradle of Hungarian civilization. Designated as a national monument in 2013, it also features a museum that has permanent exhibits displaying the school’s history, student life, and the religious art of the Reformed Church in the Trans-Tisza Region. Your visit here will help you understand why Debrecen became the most important bastion of the Reformed faith in Hungary. Bedecked with majestic murals, the building’s stairwell leads to the entrance of the gigantic library storing more than 600,000 volumes, the Csokonai Room and the Oratory that housed Hungary’s National Assembly in 1849. https://www.debrecen.hu/en/tourist/places/debrecen-reformed-college

Open all year round, the Debrecen Zoo is home to some 900 individuals of 170 species from all five continents. Besides permanent exhibits, there are a number of daily events and activities involving close visitor encounters with fascinating animals as part of the Animals in Action program, as well as a number of seasonal events such as summertime Evening Walks or Animal Christmas. A full member of the European Association of Zoos and Aquaria (EAZA) since 1994, the Zoo also reflects the current need for the protection of biodiversity by contributing to coordinated conservation efforts like European Endangered Species Programs (EEPs) through managing healthy and productive populations of various endangered species like the leopard cat, the reticulated giraffe, the African penguin, and the ring-tailed lemur. Integrated into the Zoo and Amusement Park, the ever-growing botanical collection currently features around 650 species, including ones from the Great Forest biotope and other parts of Hungary as well as ones native to various exotic corners of the world. There is also a Scent Garden section, home to a wide variety of aromatic herbs, enabling visitor interaction through the sense of smell. https://www.debrecen.hu/en/tourist/places/nagyerdei-entertainment-complex

The newest attraction of Nagyerdei park is the Water Tower Adventure Center. It is a home to a whole cornucopia of entertainment options from spring through fall. Not only its 31-m-high observation point gives fantastic views of the surrounding area. A special telescope will also open a visual channel to bygone eras. Nourish your mind and body, respectively, at the permanent exhibitions and eateries. If you crave some physical exercise, check out the climbing wall built in the tower’s structure. The day’s adventures will culminate in the night light show. https://www.debrecen.hu/en/tourist/places/water-tower-2

Agora presents serious scientific knowledge and the little wonders of everyday life in a fun and easy-to-understand way. The center is a new attraction in the life of the region; it offers exciting adventures and lifelong experience to all age-groups. It presents serious scientific knowledge and the little wonders of everyday life in a fun and easy-to-understand way. Agora features more than thirty interactive games and gets visitors involved in spectacular experiments. At the top of the futuristic three-storey building, stargazers will be delighted to test the limits of the observatory taking aim at the Sun, our fellow planets and other celestial bodies. https://www.debrecen.hu/en/tourist/places/agora-scientific-adventure-center

Proudly bearing its title of UNESCO World Heritage Site, Hortobágy National Park is the perfect archetype of pristine natural landscapes. This is the place where everyone longs to find refuge from the monotony of modern human existence. The feeling of unfettered freedom, encapsulated in the spectacle of the endless horizon, mirages, grazing herds of cattle and horses, and sweep-pole wells, will capture your imagination and soul during a horse-and-carriage ride or “puszta” safari. A picturesque trip to the fishponds on the small narrow-gauge train, combined with some birdwatching, will serve unique experiences to both young and older adventurers. Here the breeze wafts the scent of fragrant chamomile, mint, and artemisia from wild fields, gently touching your nose just like the waves of the ocean rhythmically splashing on the shore. It is a place where you will reinterpret the meaning of silence. It is a place where you might even reach celestial bodies during the special night treks in Starry Sky Park. In Hungary’s oldest and largest national park, awarded the European Destinations of Excellence (EDEN) prize, hundred-year-old herdsman’s traditions are still part of people’s means of subsistence and not mere promotional gimmicks. https://visitdebrecen.com/see-do/hortobagy/

Belgrade Fortress stands on top of a cliff overlooking the confluence of the Sava and the Danube. This is the last raised ground in the Balkan Peninsula before the vast stretch of flatland of the Pannonian Basin, extending all the way to Central Europe. The Fortress controls the access to the Pannonian Basin and the navigation on the Sava and the Danube, a position of outstanding strategic importance, accounting for its role as a border fortress throughout much of its history. It served to guard the border between the Roman Empire and barbarian lands across the Danube and the border between the Ottoman and Austro-Hungarian Empires, to name a few, which explains why it was so often destroyed, rebuilt and redesigned. The Romans were the first to build a fort at this site in the late 1st century as the HQ for the IV Roman Legion - Flavia Felix. Its remnants are barely visible today. Belgrade Fortress consists of the Upper Town, Lower (or Water) Town and Kalemegdan Park. The present layout of the Fortress took shape in the late 18th century, but there used to be many more buildings within its walls that had perished in different battles. http://www.beligrad.com/fortress.htm

Kalemegdan Park is Belgrade’s birthplace. Filling much of the promontory where the Danube and Sava Rivers converge, the green sprawl was settled millenniums ago by the Celts and bears traces of many successive peoples and empires. F http://www.serbia.com/36-hours-belgrade/

Ivan Meštrović’s masterpiece “Belgrade’s statue of the Victor” is just one part of the fountain that was planned to be the crowning jewel of Serbia’s capital. Fountain remained unfinished, and the Victor being too liberal for the eyes of war-ravaged Belgrade, was sent from a shed in Senjak, not to Terazije, but to the edges of Kalemegdan’s fortress instead, where the spirits that brought a new age upon us made it a symbol of Belgrade. Three years before the World War I the Terazije’s Plateau was reconstructed so that between the two lanes was left enough space for a splendid fountain. City officials entrusted the construction of the fountain to the most famous Yugoslav sculptor – Ivan Mešrović. His idea was to make the commemorative drinking fountain with its central masterpiece, the Victor, which was supposed to symbolize the freedom of a five century long slavery under the Turks, and the final victory. http://www.serbia.com/belgrades-statue-of-the-victor-from-terazije-to-the-kalemegdan/

The Secessionist building at No. 42, built in the 1920s as a bank, was converted several years ago into the Zepter Museum, a vault of 20th-century and contemporary art. http://www.serbia.com/36-hours-belgrade/

The National Ethnographic Vuia, established in 1929, bears the name of its founder and first museum manager, Professor Romulus Vuia. The exhibited pieces are in fact old traditional buildings, grouped according to their regional establishments, folk architecture monuments, folk installations, craftsman workshops, wells, gateways, big wooden crosses and indoor textiles. Interesting facts: •The Ethnographic Museum is the oldest from Romania; •The oldest exhibit pieces date back from 1678; •The church from Cizer-Salaj, at the construction of which contributed Nicola Ursu (Horea), just before the 1784 uprising, is one of the most beautiful wooden churches in Transylvania; weddings are still being officiated in this architectural monument; •It hosts annual fairs and traditional cultural manifestations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-romulus-vuia-national-ethnographic-park.html

The Vivarium was built between 1998 and 2001 out of the Babes-Bolyai University and the Biology and Geology Faculty funds. It contains approximately 57 animal species. When it opened in 2001, it only sheltered a collection of reptiles and amphibians. Currently, alongside the reptile collection, the Vivarium also hosts 10 fish species, 9 micro mammal species and 6 bird species, out of which we can mention the Puff Adder, the Rainbow Boa, the leopard gecko, the Nile monitor, the chinchilla, the Dobrogea turtle, the salamander etc. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/page/3/the-vivarium.html

The building was constructed at the end of 19th century, according to the plans of the architect Alpár Ignác, having a baroque facade of Viennese style and a corner tower with a clock that impresses by strength and sobriety. On the tower was applied the Prefecture's coat of arms (Cluj County) because the initial destination of the building was that of a County headquarter. The building was included in the systematization plan of the city in 1798 which stated that any new construction had to have the city council’s approval. The initial destination of the building as the headquarter of the County was multiple – political, administrative, fiscal headquarter etc., where the County officials were deciding the wellbeing of the area; in the big chambers, besides the usual meetings, exhibitions of famous and of young artists as well as the city balls from the beginning of the 20th century took place. Nowadays it is the headquarter of the Cluj-Napoca City Hall, an institution that follows the principles of local administrative and financial autonomy, decentralization of public services, lawfulness and eligibility of the local public administration authorities, the consultation of the citizens on community issues. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/clujnapoca-city-hall.html

Creating Central Park had been one of the first initiatives of urban remodelling of the city at the end of the 19th century. Its purpose had been the creation of a leisure spot in the close proximity of the city center. The initial name of the area field was ants’ grove situated on the bank of the river Somes. At the beginning of the 19th century, this spot was visited by all citizens of Cluj, the furrier János Meleg provided the public with refreshments. In 1827, the Women’s Charity Organization will rent the grove with the intention to create a “place suitable for longer strolls” and a beer garden based on a contract of 12 months. This contract would also determine the municipality to initiate and sponsor some of the works necessary to drain and consolidate the land that had been a swampy area frequently flooded by the river. In the year 1833, together with the return of the Gubernium a decision will be made on how to spend the gathered money on the development of the park. On this occasion they will establish and name the members of the Promenade comity, a council made up of important members of the urban community; they will also employ the gardener József Schütz to plant, clean and maintain the park. The park itself had been originally founded on the 22nd April 1838 and after two years the engineer Sámuel Hermann was entrusted with the design of the park. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/simion-barnutiu-central-park.html

Alexandru Borza” Botanical Garden (42 Republicii Street) – Being a national museum, the garden was founded in 1872, having an initial surface of 4.3 ha. Thanks to prof. A. Richter, the surface has reached 9.6 ha. In 1920, professor Alexandru Borza elaborated the re-organization plan of a new botanical garden, whose arrangement was carried out from 1920 to 1930. Nowadays, the garden has a surface of 14 ha, a level difference of 20 m and is divided into various sectors, sheltering 11.000 exhibits: the ornamental sector ( The Mediterranean Garden, Rosarium, The Japanese Garden), the phytogeographic sector (the plants are arranged according to their natural associations – The Roman Garden), the systematic sector (the plants are organized by phylogenetic principles), the economic and medical sector, the sector of rare and endemic plants of Romania`s flora. The two groups of greenhouses, having a surface of 3500 m2, with tropical plants of great scientific and utilitarian interest, are remarkable. In the precincts of the Botanical Garden functions the Botanical Institute, with its two components: the Botanical Museum (6 910 botanical pieces, representing exotic and indigenous plant exhibits) and the Herbarium (660 000 herbarium sheets of dried plants – arranged in special lockers). http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/alexandru-borza-botanical-garden.html

Founded in 1922 by professor Romulus Voia, the Ethnographic Museum of Transylvania entered the elite of the Romanian ethnographic museums, due to the exceptional quality of its patrimony. It is currently composed of over 41.000 traditional peasant objects from 17th-20th centuries and a documentary fund of over 80.000 items. The museum has two sections: the Pavilion Section and „Romulus Vuia” ethnographic Park (the open-air section). The Pavilion Section functions in „Reduta” Palace – a historical monument that dates since the 16th century. The current pavilion exhibition, vernished on 16th of December and called „Traditional folk culture from Transylvania in the 18th-20th centuries”, rebuilds, with talent, the way in which the Transylvanian peasantry lived two centuries ago. As testimonies remained simple tools or ingenious equipment used in domestic activities, culminating with rich folk suits, which showed not only the stage of the life but also the social position of the one who wore them. There are also presented traditional costumes of the life cycle, the calendar ones and the peasant costumes, with an essential role in highlighting the regional and ethnic identity. Curiosities: With a history of more than 80 years, the museum is the greatest of this kind in Romania and among the most prestigious in Europe (the sixth). The museum functions in „Reduta” building, which housed during 1848-1865 the Transylvanian Diet. The famous trial of the authors of the Transylvanian Memorandum took place in this building in 1894-1895. It has 50.000 photos, 5.000 diapositives, 12.000 specialised magazines. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-ethnographic-museum-of-transylvania.html

The Matthias Corvinus House (or Mehffy House) is a stylish building in gothic style from the 15th century (today, Art and Design University of Cluj Napoca). In this house, which was the city’s inn in past, was born on 23rd of February 1443 Matia Corvin, the son of the vaivode of Transylvania, John Hunyadi (Ioan de Hunedoara). Matia Corvin was the greatest king of Hungary (1458-1490), he was learned, patron of arts, wise and just, being mentioned in songs and legends even today. In 1467, he acquited the owners of the house in which he was born from paying taxes and fees to the city. This privilege was enforced by the next kings and princes. The house served as different institutions. It was a college but was also home for the ethnographic collections of the Transylvanian Carpathian Society. Over time, the building has suffered various changes, adapted to the new architectural styles. The basement and some platband of windows and doors that have lintels in the oblique section are characteristic of the gothic style. During the first half of the 16th century appeared the first elements of the Renaissance: some platbands from Renaissance on the facade, with denticles, together with gothic elements, as well as the portal in a broken arch. The original arches were chiefly replaced. During the 18th century, the building was made a hospital and the yard had suffered a few baroque changes. At the end of the 19th century, the building was in an advanced state of degradation and it was restored. Many elements of Art Nouveau, Secession were introduced, being in fashion at that time. In the ’50s of the last century, the modifications of Art Nouveau were removed, being incompatible with the architecture of the building, which gained the present appearance. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-matthias-corvinus-house.html

The Roman Catholic "Saint Michael" Church (Unirii Square), a great historical and religious architecture monument are one of the most imposing gothic edifices from our country. It was built approximately between 1350 and 1480, being the first hall church from Transylvania. The main portal, carved in 1444 in gothic style, ends with a high accolade, showing in the central part the carved image of archangel Michael. The tower from the north facade was built between 1834 and 1863 in neo-gothic style and it is 80 meter high, including the cross. The inside and outside decorations and the baroque carved pulpit are also remarkable. An extraordinary execution is the portal of the sacristy, from the Renaissance (1528) with Italian motifs and a strong south-German influence. The body of the pulpit, in baroque style, was carved by Johannes Nachtigall and Anton Schuhbauer. The mural picture, fragmentary kept, shows stylistic influences from northern Italy and reveals the first signs of the Renaissance in the painting from Cluj-Napoca. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/page/2/the-roman-catholic-saint-michael-church.html

The “Emil Racoviţă” Speleology Museum was established in 1998, and it is the only museum in Romania dedicated to the scientist Emil Racoviţă and to the cave science. Emil Racoviţă is the founder of biospeleology and of the first Speleology institute in the world, which was opened in Cluj-Napoca in 1920. The results of the biospeleology program initiated by E. Racoviţă were exceptional: 1,200 explored caves throughout Europe and Africa, a collection of 50,000 copies of cave fauna, 66 scientific studies adding up to approximately 6,000 pages. Racoviţă reached the peak of his scientific career when he elaborated an original theory regarding evolution. The museum also includes The Emil Racoviţă Collection with numerous varied exhibition pieces like a notebook from the period when Racoviţă was a student at the Paris-Sorbonne University (1886-1891), the Zeiss microscope and the Linhof photo device which he used in his “Belgica” Antarctic expedition (1897-1899), the projector and slides he used when teaching his General Biology course at the Science University in Cluj, original drawings illustrated in his scientific works, personal desk objects. The building in which the museum operates is an old medieval prison (from the 14th century up to the 19th century) and it is considered a national historical monument dating back to 1376. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-emil-racovita-speleology-museum.html

The Art Museum of Cluj-Napoca is a public institution of a culture whose mission is to preserve, research and put forward the real and virtual patrimony of Romanian and universal art. With a collection of over 12,000 paintings, sculptures, graphic arts and decorative pieces, it is considered one of the most important museums in Romania. Founded as an institution in 1951, the museum has been operating since 1956 in the Banffy Palace – a baroque building which was built based on the plans of the architect J.E. Blaumann during the years 1774-1785, its destination being that of residence for the governor of Transylvania. It is the most important baroque edifice in Cluj-Napoca and one of reference for the 18th-century Romanian architecture. A series of sculptures with remarkable artistic value made by Anton Schuchbauer were added to the building in order to complete its stone architectural decorations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-art-museum-of-clujnapoca.html

The Tailors' Tower (Baba Novac Street / Stefan cel Mare Square) is part of the second fortified precinct of the walls system and of the fortifications of the city, built in the first half of 15th century and continued until the 17th century. It was built on the South-Eastern corner of the city defence wall, after 1405, following the privileges keyed by King Sigismund of Luxemburg. The first confirmed documents date 1457, from the time of King Matia Corvin. The administration of the Tower was entrusted to the most powerful guilds of the town – the tailors' guild. Over time, the Tower was devastated several times (1551-1553, 1601, 1627, and 1707). The actual shape is given by the last big reconstruction from 1709-1711, made by the Austrians, out of over 150 stone wagons. The Tower has renewed again in 1956-1957 when they attempted the opening of a history museum of the city of Cluj, a project forbidden by the communist authorities in 1959. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/page/4/the-tailors-tower.html