HistoricalSites, Klagenfurt

The universe is in Graz! It’s no joke, but rather a wonderful example of harmonious architectural skill: Eggenberg Palace on the edge of the city centre. Set within a beautiful park is the main palace, which was laid out as an architectural allegory of the universe. The building represents a precisely calculated cosmos. It was commissioned by Prince Hans Ulrich von Eggenberg from the year 1625 to embody his wish for a harmonious structure, reacting to the chaos of the 16th century. 365 windows, 31 rooms on each floor, 24 state rooms with 52 doors and, in all, 60 windows, 4 corner towers - all allusions to time, to the seasons, to weeks, days, hours, minutes. This number symbolism based on the then new Gregorian calendar is the architectural programme of the palace. Also the paintings in the Planetensaal (Planet Hall), whose decoration was started in 1678, are characterized by astronomical symbolism. https://www.graztourismus.at/en/see-and-do/sightseeing/sights/eggenberg-palace_sh-1199

The fortified medieval tower got its present shape around 1560. And its characteristic wooden gallery as a fire station. Three bells are ringing from the Clock Tower. Three coats of arms decorate the walls. A tower on this spot of the hill was first mentioned in the 13th century. When the fortress was reconstructed in the middle of the 16th century, the tower was given its present shape. The hands on the huge clockfaces often confuse people. Is the clock out of order? No. The fact that originally there were only long hands for the hours which could be seen from the distance, and that those for the minutes were added only later caused the "swapping" of the hands. https://www.graztourismus.at/en/see-and-do/sightseeing/sights/clock-tower_sh-1252

An imperial place of rest next to the Dom. Turquoise domes stand out against the blue sky above the Mausoleum and, together with the Dom and Katharinenkirche church, define one of the city’s magnificent views. You could almost have been whisked away to the lands to the south, given how this ensemble enchants any visitor with more than just a hint of Florentine flair. Here in Graz, Emperor Ferdinand II had his court artist Giovanni Pietro de Pomis lay out the impressive tomb. The so-called Stadtkrone ("Crown of the Town") of Graz comprises such important buildings as the Cathedral, the Burg, the Old University and today's Seminary (former Jesuit college). But it is the domescape of the Mausoleum which also visually crowns the city. https://www.graztourismus.at/en/see-and-do/sightseeing/sights/mausoleum_sh-1247

Anything but antiquated, this impressive castle towers over the Mur river valley. This extraordinary event centre, located close to the river Mur cycle route, is open all year and accessible to the public from April to October on. Access to the castle by means of the Atlantis-Shuttle is a unique experience, offering fantastic views of the surroundings. A state-of-the-art energy supply system in the form of a heat pump highlights the successful marriage of history and modern technology. https://www.graztourismus.at/en/see-and-do/sightseeing/trips-around-graz/burg-rabenstein_af-5072

900-year-old Hohenwerfen Castle stands amid extraordinary countryside. A former defensive bastion, it is enthroned high above the Salzach River Valley, offering exciting experiences for visitors in search of adventure and culture. Hohenwerfen Castle promises a unique adventure, and it delivers! Aside from guided tours of the castle, including its exhibition of ancient weapons, a stylish castle tavern and the Knights’ Store, it is the historic State Falconer’s, with its daily falconry shows, that is an absolute magnet for visitors. The first Austrian Museum of Falconry, including a bird-of-prey theme path, is likewise located up at the castle. https://www.salzburg.info/en/sights/excursions/hohenwerfen-fortress

The Croatian Walk of Fame project in Opatija was launched in 2005 by the Apriori Communications agency as a symbolic tribute to all the people whose sporting, scientific, cultural or artistic endeavours have contributed significantly to the worldwide promotion of Croatia. Potential candidates for inclusion are nominated by the project's independent Nomination Board consisting of several noted public individuals. From the board's nominations, readers of the media sponsors then cast their vote to decide which two candidates (one living, one awarded posthumously) should have their stars included in the Croatian Walk of Fame. https://www.visitopatija.com/en/croatian-walk-of-fame-p484

The Trsat Castle represents a strategically embossed lookout on a hill 138 meters above sea level dominating Rijeka. It was mentioned as a parochial centre for the first time in 1288. At this same site there was a Liburnian observation post from prehistoric times, used for monitoring the roads leading from the hinterland to the coast. http://www.visitrijeka.eu/What_To_See/Attractions/Trsat_Castle

How many times have you visited a military facility as a tourist? Not very often is our guess. Well, Rijeka offers a rare opportunity to do exactly that. And it will lead you underground in the process. The first military tunnel opened exclusively for tourist visits is waiting for you in the very centre of the city. The decision to build the tunnel arose from the fact that the city sprung up at the crossroads of several historical states, which is why it also became an area of particular military significance. The frequent shifting of borders led to the construction of fortifications. Most of them were built in the years leading up to World War II, during the construction of the so-called Alpine Wall (Vallo Alpino), which was supposed to protect the border between the Kingdom of Italy and the Kingdom of Yugoslavia. The construction of subterranean strongholds, military warehouses, passages and bunkers began in 1931 in order to make the city less susceptible to cannon fire. The entrance to the tunnel is located next to the Cathedral of St. Vitus and it stretches below the Old Town to the Dolac Primary School. The 330-m long tunnel, which was dug into bedrock from 1939 to 1942 by the Italian military in order to protect civilians from aerial bombings, descends to a depth of 10 m in several places. It is 4 m wide and 2.5 m high on average. The main tunnel bore branches off in two directions, one leading towards the old city hall building and the other to the Cathedral of St. Vitus. http://www.visitrijeka.eu/What_To_See/Attractions/The_Rijeka_Tunnel

The Old Gate or the Roman Arch is not, as was assumed earlier, a Roman triumphal arch, but a monumental main entrance into the heart of the military headquarters of the late Roman empire Tarsatica, an ancient town on whose ruins medieval Rijeka rose. The people of Rijeka were right to trust their instincts and call it simply The Gate; the term Roman Arch became gradually more accepted from the time of Classicism when the documentation and the research of this monument began. The profiled facade of the Arch has been preserved only in fragments, the other parts fell off a long time ago or have been taken away to be incorporated into the houses of medieval Rijeka. The Tarsatica Principia was the main camp, the supply base and the starting point of the Claustra Alpia Iuliarum, dozens of kilometres long intermittent defence walls, towers, guard stations, and larger fortifications positioned in key communication lines and elevated points, with the aim of stopping barbaric invasions towards Italy, the heart of the Roman Empire. http://www.visitrijeka.eu/What_To_See/Attractions/Principia_at_Tarsatica

Grič Tunnel was built in 1943, during World War II and connected to Zagreb tunnels. Its primary purpose was to shelter civilians from frequent bombings during WWII and the Croatian War of Independence. After all, it is a part of a network of Zagreb tunnels under the Upper Town. But the only one open to the public! You can find the tunnel entrances as they are marked with Zagreb coat of arms. Once you look at Zagreb coat of arms on the rooftop of St. Marks Church, you will notice the underground, secret door under the castle. Symbolising the entrance to hidden Zagreb network of tunnels. Stories and legends speak of secret underground passages all over the city. One of them speaks of the great 1880 earthquake. When it is said most of the tunnels disappeared, containing the church gold. https://www.visitzagreb.hr/zagreb/gric-tunnel/

Hohensalzburg Fortress is enthroned on the Festungsberg, high above the rooftops of the Baroque historical district. The biggest fully preserved castle in Central Europe, this emblem of Salzburg draws millions of tourists to our “City of Mozart” every year. In the year 1077, archbishop Gebhard had the fortress built and thus changed the Salzburg skyline forever. In the years which followed, his successors drove ongoing development of the fortress architecture. The complex acquired the appearance we recognize today under archbishop Leonhard von Keutschach in 1500. The original purpose of the fortress was to protect the principality and the archbishops from hostile attacks. In all of these years, it has never been captured by foreign troops. https://www.salzburg.info/en/sights/top10/hohensalzburg-fortress

W. A. Mozart was born in 1756 in the “Hagenauer Haus” at No. 9 Getreidegasse in Salzburg. Today, Mozart’s Birthplace is one of the most visited museums in Austria and is an absolute highlight, above all for Mozart fans. The museum invites you to take a tour lasting about an hour through original rooms. Also amble through a middle-class apartment reconstructed as authentically as possible. Discover items of everyday life as well as furniture from the 18th century, and feel as if you have personally been transported back to the days of Mozart! Original certificates, letters and memorabilia document Mozart’s life in Salzburg. A collection of portraits, mostly done during Mozart’s lifetime, allows you to basically stand face-to-face with this musical genius. A particular joy for Mozart fans: the historical instruments, including Mozart’s own violin and clavichord. https://www.salzburg.info/en/sights/top10/mozarts-birthplace

Only a few kilometres west of Kanfanar, the remains of the mediaeval town of Dvigrad are located, which still dominates the Lim Fjord. During Illyrian times, two colonies existed which later, in early mediaeval times, became two towns, Parentino and Moncastello. The former quickly became extinct, whereas the latter, in the ownership of the Aquileian patriarch, developed further under the name of Duecastelli. Lateron, like the most part of the Istrian coast, Dvigrad fell under Venetian power. In the mid 17th century malaria and the plague were rifing in Istria, which didn't spare the citizens of Dvigrad either. Thus, in 1631 most of the 700 hundred inhabitants left the town, and the remaining three families left in 1714 when the church of St.Sophia was abandoned as well. The relics and the pulpit from the 14th century were transferred into the church of St. Silvester in Kanfanara, where the inhabitants of Dvigrad had moved as well. The town is very well maintained since it hadn't been destroyed in the wars that were ravaging through Istria, but rather because it was abandoned by the inhabitants of the town. The town gates still exist, as well as two circles of the town walls, some of the defence towers are maintained, as well as the most part of the 200 houses. The St. Sophia Church was an early Christian church with three naves which dominated the town and which was built on solid rock. Unfortunately, because the church wasn't being maintained, it decayed in the 19th century. https://www.inforovinj.com/eng/rovinj/znamenje/dvigrad.asp

The Leatherer (Ledererturm) Tower remained the only one of the four city towers, while the other three were demolished in the course of the 19th century. Today it is THE trademark of Wels. The name of the gateway through the Ledererturm, mentioned for the first time on 24 July 1326, comes from the suburb district "Unter den Lederern", “Amongst the leatherers”, (today's Fabrikstrasse and Schwimmschulgasse), where there were numerous leather workshops. In 1610, the tower was heavily damaged during a vain attack on the town by the "Passauer Kriegsvolk" and threatened to collapse. Through a reconstruction in the years 1616 to 1619 by the Wels master brick mason Marx Martin Spaz from Linz, the Leatherer-Tower got its present form (wedge stone of the gate with the date of the year 1618). The nearly 38-meter-high building on an almost square floor plan consists of horizontal floors, each with a window on the east and west sides in three of its four floors. On the fourth floor is the clock tower. The gate has a row of rustic tiles, which are pointed at the arch, and the corners of the tower are emphasized by cuboids just as well. https://www.wels.at/en/welsmarketing/tourism/sightseeing/sights/austria/poi/400641/ledererturm-tower.html

St. Thomas church is situated 4 kilometres north of Rovinj, next to the old railway line that led from Rovinj to a small place Kanfanar. This edifice has a cross ground plan lately completed by a church tower placed on its north side. There is a six metres high apse, semicircular on the inside part and polygonal on the outside part. Lateral windows are enriched by semi-circular apses as well, although being constructed of smaller size. These apses are connected with the central nave by a high semi-circular passage. In the north part of the church, the original paving was discovered along with the preserved stand of shrine partition with several niches for pilasters. Above the central part, the remains of arches that upheld the retracted construction high above the roofing are still visible. A radical constructional intervention was undertaken on the church in the 16th century, changing completely its original form. Since the lateral arches were walled in the whole edifice got one nave. The west part of the edifice was significantly shortened and altered by a new forepart with two square windows. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-tome.asp

Near the road Rovinj-pula, about 2 kilometres far from the centre of the City of Rovinj, in the locality of Monfiorenzo, is situated the quarry phantasy, a geological park of remarkable beauty and importance. According to the expert opinion of numerous scientists, it is one of the most significant natural monuments in the world in the perspective of the karst phenomenon. The lime-stone of the quarry phantasy, like the open book pages, illustrate the history of the evolution of the terrestrial crust. Various layers give evidence of the existence of the fossilized meadows consisting of sea-weeds, which, blended with lime-stone silt, were drifted on the shore by strong currents during the last 130 million years. The quarry phantasy will reveal to a more careful visitor a considerably big number of furrows made of black and white dolomiti layers. Furthermore, there are fissures formed by tightening and exsiccation of the silt that had been squeezed into the previously created sediment. The lower part of these stony layers was formed below the sea level, while the upper part is the result of the high-tide. https://www.inforovinj.com/eng/rovinj/znamenje/monfiorenzo.asp

The fort of Monkodonja is located about 5 km south-east of Rovinj, and was discovered in 1953 when the first excavations were carried out. Since 1997, detailed research and a partial architectural reconstruction of the site is being conducted. The town, surrounded by walls, built with blocks of stone with the dry technique is located on a hill and its side terraces that are created with stones quarried and crushed from the hill to give space to the village. The casteliere was inhabited in the period from 2000 until 1200 BC. https://www.inforovinj.com/eng/rovinj/znamenje/monkodonja.asp

The Old Town is where life started on what used to be an island secured by medieval walls. The city had seven gates, three of which have been preserved to this day: The Gate of St. Benedict, The Portica and The Gate of the Holy Cross. The first archeological traces of life date back to the Bronze Age, and the old city started developing in the 3rd century. The limited space conditioned the construction of narrow houses, narrow streets and small squares. It's an unique place to visit. The town clock and a small fountain are located on the main town square. The town clock once represented the tower on the south corner of the former town walls. Built in the 12th century, the tower was extended several times. The town clock with its Venetian lion, the symbol of Serenissima dating back to mid-19th century, was situated on the town gate fort near the Califfi Palace. http://www.rovinj.co/en/meet-rovinj/culture-and-history/

Taking the cruise ship from Kerms, you will end up at a charming town Melk. You can enjoy a walk around the town and admiring beautiful architecture. Melk is an Austrian town on the River Danube, west of Vienna. It’s known for the 11th-century Melk Abbey, a vast monastery built high above the town. No tour of monasteries in Austria, or Middle Europe, for that matter, would be complete without a visit to the magnificent Melk Abbey. Abbot Berthold Dietmayr and his architects Jakob Prandtauer and Joseph Munggenast left no stone unturned in their quest from 1701 to 1736 to construct a sacred palace upon the foundations of a medieval monastery. https://www.austria.info/uk/things-to-do/cities-and-culture/architecture/melk-abbey

The most famous and important monument, the starting and ending point of every sightseeing tour is the Amphitheater, popularly called the Arena of Pula, which was once the site of gladiator fights. It was built in the 1st century AD during the reign of Emperor Vespasian, at the same time as the magnificent Colosseum in Rome. The ground plan is elliptical, the longer axis measuring about 130 m and the shorter one about 100 m. Gladiator fights took place in the central flat area called the arena, while the spectators could sit on the stone tiers or stand in the gallery. It is believed that the Amphitheater could seat about 20,000 spectators. Local limestone was used for its construction. In the Middle Ages, it was the site of knights tournaments and fairs. Today, it is the venue for many different events – Pula Film Festival, various concerts, opera, ballet, sports competitions… since its capacity is about 5000 spectators. http://www.pulainfo.hr/where/arena-amphitheater-2

By collecting stone monuments in the Temple of Augustus in 1802, marshal Marmont began the founding of the museum collection in Pula. However, the discovery of stone, ceramic and metal objects in Nesactium was the basis for founding the Museo Civico (City Museum) in Pula in 1902. After the seat of the “Società istriana di archeologia e storia patria” had been moved and with the transfer of the archaeological inventory from Poreč to Pula, the Museo Civico was integrated with the National collection (stone monuments) and the Poreč Regional Museum (Museo Provinciale) into one regional institution. Therefore, in 1925 the Museum of Istria (Il Regio Museo dell’Istria) was founded in the present-day museum building. In 1930 the museum opened its doors to visitors, and a guidebook in Italian was published. This exhibition, along with minor changes, was open for the public until the end of World War II, when many objects were transferred to Italy during the Anglo-American administration. https://www.pulainfo.hr/where/archaeological-museum-istria-2

It stands between two, most probably medieval towers, of simple construction built of uncarved stone blocks. At the top of the damaged arch, although hardly recognizable, is a carving of the head of Hercules and his club. Close to the club is a damaged inscription, most interesting in the historical context since it contains the names of two Roman officials, Lucius Calpurnius Piso and Gaius Cassius Longinus to whom the Roman Senate had entrusted the duty to found a Roman colony at the site of today’s Pula. Thus, between 47 and 44 BC Pula was founded as a settlement with urban features. Since the upper circular street passed though this gate, the axis of communication was obliquely placed with respect to the direction of the city walls. https://www.pulainfo.hr/where/gate-of-hercules

On the northeastern slopes of the central hill of the city, below the Castle are the remains of a Roman theater: in addition to the Amphitheater, Pula had two other theaters during the Roman period. The larger one, which has not been preserved, was situated outside the city, on the slopes of Zaro hill (Monte Zaro), south of the city walls. The other theater known as the Small Roman Theater was situated within the city walls. The remains of scene, semicircular orchestra and tired section for the audience have partly been reconstructed. Below the theater is the building of the one-time German Royal Gymnasium, which in 1930 became the Archaeological Museum of Istria. Today the museum displays a rich collection of prehistoric, classical and early medieval monuments found in Istria. https://www.pulainfo.hr/where/small-roman-theater

The “Golden Gate” was erected between the years 29 and 27 BC by the Sergi family, in honor of three members of the family who held important positions in Pula at that time. This triumphal arch leaned against the city gate Porta Aurea thus called because of its richly ornamented arch or gilded elements. The gate and wall were pulled down in the beginning of the 19th century as a result of the city expansion outside the city walls. The Arch was constructed in Corinthian style with strong Hellenistic and Asia Minor influences both in the method and ornaments. As the eastern side was not visible it has remained for the most part uncarved, while the western, town side is richly decorated. Today numerous cultural performances, theatrical and musical, are held on the square next to the Arch. The adjacent street is a shopping area. https://www.pulainfo.hr/where/triumphal-arch-sergi-golden-gate

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

St. Mark’ s Bell Tower is certainly one of the symbols of Venice, nicknamed “El Paron de Casa” (The Master of the House) . It is the highest building of the city, from the top of its 98.50 meters is possible to enjoy a 360° view of the city, a must if you're visiting Venice!!! http://venice-tourism.com/en/places/san-marco-district/saints-mark-bell-tower

The history of the castle ruin which is around 150 metres long on the right bank of the Danube extends back to the 12th century. Find out why the “Rosengärtlein” (“Rose Garden”) was so feared and who the “Hounds of Kuenring” were. The castle which is around 150 metres long was built at the start of the 12th century. It is located on a rocky outcrop at a height of approx. 300 metres above the right bank of the Danube. At the time of the Kuenrings, the castle was successfully besieged and destroyed at least twice, which is why there are still only a few foundations from this time at the so-called “Bürgl” (or “little castle”). Special highlights are the escape-proof prison with the quaint name of “Rosengärtlein” or the chapel – a romantic place that can be still be used for weddings and christenings. https://www.ruineaggstein.at/en.html

The Haydn Mausoleum is located right under the north tower. It is the famous composer's dignified and evocative place of burial. Thousands of music lovers from all corners of the globe visit the mausoleum every year. Joseph Haydn (1732-1809) had been employed with the Esterházy family for more than 40 years. After his death he was first buried in Vienna. In 1820 his remains were transferred to Eisenstadt and put into their final resting place, the mausoleum, in 1954. https://www.eisenstadt-leithaland.at/en/sightseeing/sightseeing/haydn-mausoleum

In 1972 the Austrian Jewish Museum in Eisenstadt was established as Austria’s very first Jewish museum after 1945. It is located in the town’s former Jewish district, near Palace Esterházy, in Palais Samson Wertheimer. In the course of your tour, you can visit not only the museum exhibitions, but also the synagogue belonging to the Palais Wertheimer, as well as both Jewish cemeteries, on a roundabout walk through the ancient Judengasse. The small synagogue to the former Hungarian state rabbi Samson Wertheimer (1658-1724) is the gem of the building and the museum. It numbers among the very few synagogues in the German speaking area which was not destroyed in the so-called Reichskristallnacht in November 1938 or during the period following. https://eisenstadt-leithaland.at/jewish-museum.html

The old Jewish Cemetery had been installed in the 17th century near the Jewish Quarter. Due to place restrictions, the new cemetery was set up near the old one. During the Nazi-occupation it was partly destroyed and tombstones had been used to erect tank barriers all around the city. After 1945 both cemeteries were renovated and the tombstones were put back into place. https://eisenstadt-leithaland.at/jewish-cemetry.html

Esterházy Palace in Eisenstadt is one of the most beautiful baroque castles in Austria and gives an impressive insight into the former glittering life at the court of the Princes Esterházy. With the authentic ambience and the excellent acoustics of the Haydn Hall, Esterházy Palace is still the center of cultural events: here concerts are given, festivals celebrated and glamorous exhibitions shown. An exciting counterpoint is the former stables opposite the castle. Together they form the Schlossquartier Eisenstadt, where contemporary and historical, music and art, culinary and wine meet each other in a unique way. https://esterhazy.at/de/schlossesterhazy/index.do

When he got promoted to conductor in 1766, Haydn bought this house and lived there with his wife Aloisia Keller until 1778. Haydn and Eisenstadt are inseparable. From 1761 on, Haydn worked as conductor for the Esterházy court for more than 40 years. Five years after his commission to the Esterházy court, he bought the baroque house situated in what is now called 21 Haydngasse. He lived there for 12 years. Numerous furniture items and original instruments make this collection a true feast for all senses. https://www.eisenstadt-leithaland.at/en/sightseeing/sightseeing/haydn-house-eisenstadt

The structural fabric of the town hall dates back to 1560 and was changed after the city had been elevated to a royal free-trade zone in 1648. The architectural basis is thought to go back to early renaissance. The diamond-shaped ashlar of the portal points to this era, too. The one-storey building with a broad front featuring two round oriels on the sides and a rectangular oriel in the centre has been refurbished during the baroque; a massive attic has been built on top of it during the same period. The murals discovered in 1926 probably also go back to the early renaissance period and have been adapted to fit the baroque tastes later on. In 1949 Rudolf Holzinger repainted them by closely sticking to old patterns. He also completed the missing pictures. https://eisenstadt-leithaland.at/city-hall.html