HistoricalSites, Brescia

The oldest part of the villa dates back to 1353, the year in which Pietro, son of the poet Dante Alighieri, established himself in Gargagnago. http://www.tourism.verona.it/en/enjoy/history-heritage/villas-and-mansions/villa-serego-alighieri

Among the treasures of Val d’Arda is Castell’Arquato with a rich historical centre towered over by the Praetorian Palace and by the Fortress of the XIV century stands out. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

The vast but unfinished complex, named after the game pelota that was played in one of the courtyards, was built in the second half of the 16th century at the order of Ranuccio I around the Visconti stronghold and alongside the existing church of San Pietro martire. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/pilotta-palace

A great number of medieval castles overlook the valleys and countryside creating very suggestive landscapes such as the Fortress of Castell’Arquato. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

Castello Sforzesco is a surprising monument sheltering several specialized museums and traces of the city’s past. An oasis of art and culture. It was originally a Visconti fortress and later home to the mighty Sforzas, the rulers of Milan, who transformed it into a magnificent ducal palace thought to have been decorated by several of the greatest artists of the times including Donato Bramante and Leonardo da Vinci. Transformed into a military complex during four centuries of foreign occupation and subsequently used as the barracks of the Italian army, at the end of the 19th century the Castle was restored by architect Luca Beltrami who turned it into the headquarters of Milan’s Civic Museums. Today the Castle sits in all of its glory in the eponymous square with its 70m-tall “Torre del Filarete” and a number of majestic circular keep-towers. https://www.wheremilan.com/sightseeing-sempione/sforza-castle/

The home of the Tridentine Diocesan Museum is the Pretorio Palace, first Episcopal residence of the town, in the heart of Trento. The museum was founded in 1903, also the Early Christian St. Vigil Basilica and the exhibition in the Libera Palace in the district of Villa Lagarina belong to it. In the halls of the museum the artistic and cultural treasures (from the 11th - 19th century) can be admired, all of them come from the churches of the Trentino: paintings, wooden sculptures, winged altars, pictorial manuscripts, valuable specimens of goldsmith’s work, ancient art embroideries and Flemish tapestries. The museum also houses the treasury of the cathedral with the large processional casket of St. Vigil. The multimedia station shows the most important stages of the building of the cathedral in three-d. At one passage in the museum a gorgeous view on the near located cathedral can be enjoyed and the archaeological zone of Porta Veronesis can be visited. The museum is also responsible for the near located Early Christian Basilica of St. Vigil. https://www.trentino.com/en/highlights/museums-and-exhibitions/tridentine-diocesan-museum/

The Buonconsiglio Castle is the largest and most important monumental complex of the Trentino Alto Adige region. It was the residence of the prince-bishops of Trento from the 13th century to the end of the 18th century, and is composed of a series of buildings of different eras, enclosed by walls and positioned slightly higher than the city. Castelvecchio is the oldest nucleus, dominated by an imposing cylindrical tower; the Magno Palazzo is the 16th century expansion in the Italian Renaissance-style as commissioned by the Prince-Bishop and Cardinal Bernardo Cles (1485-1539); the Baroque-style Giunta Albertiana dates from the end of the 17th century. At the extreme south of the complex is the Torre Aquila, within which is conserved the famous Cycle of the Months, one of the most fascinating secular pictorial cycles of the late Middle Ages. Also of exceptional interest are the extensive cycle of frescoes commissioned by the bishops to decorate the interior walls of the Castle, mainly in the late Middle Ages to the Renaissance period. https://www.buonconsiglio.it/index.php/en/Buonconsiglio-Castle/castle/Visit/Introduction

This villa is a great example of neoclassical architecture. Its construction started at the end of 18th century and was finished in 1812 by marquesses Odescalchi. It belonged to family Raimondi and Visconti di Modrone. http://www.visitcomo.eu/en/discover/parks_villas/villas/villa_olmo/index.html#prettyPhoto

The magnificent bigger-than-life Basilica Palladiana is not a church at all and was only partially designed by Palladio. Beneath it stood a Gothic-style Palazzo della Ragione (Law Courts and Assembly Hall) that Palladio was commissioned to convert to a High Renaissance style befitting a flourishing late- 16th-century city under Venice’s benevolent patronage. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

Set deep in the countryside north of Varese by the Castelseprio Archaeological Park, the site of Torba Abbey is home to more than a millennium of history. It started out as a military outpost towards the end of the Roman Empire and later fell into the hands of the Goths and then the Longobards (with defensive walls and towers dating back to the fifth and sixth centuries). Later Torba became a peaceful place of prayer and work for Benedictine nuns which led to the church and abbey being built in the thirteenth century. http://www.vareseturismo.it/en/blog/torba-abbey

The San Gemolo Abbey in Ganna is an architectural complex formed by the church (consecrated in 1160), the bell tower, the cloister and the monks' homes. The abbey is located in the municipality of Valganna and is a place of worship dedicated to the memory of San Gemolo. According to the legend, the Saint walked to the abbey to be buried, bringing his own head in the hand. The cloister hosts the Museum of the Abbey with heterogeneous material, from prehistoric finds to nineteenth-century laces and embroideries. http://www.vareseturismo.it/en/blog/badia-di-ganna-0

As the abbey of Santa Giustina, to which was added in the fifteenth century, the Praglia Abbey has enjoyed various events. Founded in the eleventh century, it was built in fief by Emperor Frederick II in the thirteenth century. Subsequently independent, then in, and finally added to Santa Giustina until 1810 when Napoleon suppressed. http://www.turismopadova.it/en/node/18002

A gem of industrial hydroengineering, Panperduto represents an area of great interest to make visitors aware of cultural, historical, agricultural and environmental heritage. Located on the banks of the Ticino river, at Somma Lombardo along the European E1 trail and a few kilometres away from the Lago Maggiore and Milan, Panperduto is a place rich of history and culture. The old residence of the dam workers has been authentically restructured and today welcomes tourists following the cycleways, footpaths and points of interest along the watercourses. There is accommodation available with the opportunity to take guided tours of the whole complex, from the river confluence to the museum of the Italo-Swiss watercourses including a garden of interactive water games, to the migratory passage for fish and the beautiful trails immersed in the Ticino nature reserve. http://www.vareseturismo.it/en/blog/panperduto

The Castello Visconteo served as the seat of the Visconti Dukes of Milan from 1513 to 1798. It is now an archaeological museum, housing Locarnese artefacts from the late Bronze Age to the High Middle Ages. https://www.myswitzerland.com/en-in/near/near-summer/excursions-summer/excursion-summer/historical-switzerland/castles-palaces/the-castle-of-locarno.html

The Pinacoteca is located not far from The Due Torri (the Two Towers, symbols of Bologna), inside the former St. Ignatius Jesuit Novitiate, built in the second half of the 15th century house young men who were to join the Society of Jesus (Jesuit Order). Besides the Pinacoteca, the building is also the headquarters of the Accademia delle Belle Arti (Figurative Arts Academy) as well as the Historical Artistic and Ethno-anthropological Heritage Authority http://www.bolognawelcome.com/en/home/discover/places/culture-and-history/museums-and-art-galleries/pinacoteca-nazionale-di-bologna-national-gallery

The property with its ancient park because of its architectural importance and its artistic heritage, it is under the Royal Law Decree of June 1939 and it belongs today to the Società Semplice Castello d’Uviglie. http://www.castellodiuviglie.com/il-castello.php?&ln=en

St. Mark’ s Bell Tower is certainly one of the symbols of Venice, nicknamed “El Paron de Casa” (The Master of the House) . It is the highest building of the city, from the top of its 98.50 meters is possible to enjoy a 360° view of the city, a must if you're visiting Venice!!! http://venice-tourism.com/en/places/san-marco-district/saints-mark-bell-tower

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/

The Baptistery of San Giovanni was founded on 15 August 1152. It is here that the Sacrament of Baptism is administered and the Christian embarks upon the path of Faith. The reason that such a fascinating and enigmatic building was constructed was certainly the wish to endow the cathedral with a worthy adjunct: a Baptistery that, in terms of position, size, materials and style, would be in harmony with the majestic building that already stood opposite. https://www.opapisa.it/en/square-of-miracles/baptistery/

Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli. Founded in 1064 and consecrated with great pomp on September 26th 1118, the Cathedral was built in two stages, one by architect Buscheto, who created the original layout with the basilican body with four aisles and one nave, a transept with one nave and two aisles, and the dome on the cross vault, and one by Rainaldo, who extended the building and the façade. The outer facing of the Cathedral is decorated in alternating black and white shades in stripes of Arab influence and a massive use of reused materials from Roman monuments that emphasised the greatness of the city of Pisa, “altera Roma”. Inside, the nave is edged by two rows of monolithic columns made of granite from the Isle of Elba, flanked by four aisles separated by smaller colonnades with large womenís galleries on top, covered by cross vaults and looking out onto the nave through some double-lancet and four-lancet windows. The nave is covered by a wooden coffered ceiling that in the XVII century replaced the original exposed trusses. https://www.opapisa.it/en/square-of-miracles/cathedral/

The Campo dei Miracoli in Pisa, or the Square of Miracles, was proclaimed a World Heritage Site by UNESCO 25 years ago. The square is not located in the center of the city as you might imagine but to the north-west of the fortified wall, almost out of the town; there probably wasn’t enough space to use at the time the project got underway so this is the site decided upon. Since the times of the Etruscans, the three structures found in the piazza have been considered central to religious life, symbolizing the main stages of a human’s life https://www.discovertuscany.com/pisa/piazza-dei-miracoli.html

The Leaning Tower of Pisa is one of the most remarkable architectural structures from medieval Europe.Tower of Pisa stands at 60 metres and until 1990 was leaning at about a 10 degree angle. http://www.towerofpisa.org/?utm_source=discovertuscany.com&utm_campaign=DiscoverTuscany&utm_medium=referral&utm_content=%2Fpisa%2Ftickets.html

The Knights’ Square or Piazza dei Cavalieri, lined with splendidly decorated buildings, has for centuries been the political heart of Pisa and is the second most important square after The Square of Miracles. A visit to the Renaissance church of Santo Stefano dei Cavalieri will give you a real insight in the colourful maritime history of the city. The Knights’ Square – what can you see there? - Palazzo dei Cavalieri was also known as “della Carovana” (Palace of the Convoy). This name derives from the three-year training period undertaken by the initiates of the Order, called “la Carovana”. Vasari embellished it with exquisite sgrafitti, that represent allegorical figures and signs of the zodiac, and the busts of the Grandukes of Tuscany. In front of it stands the huge statue of a victorious Cosimo I proudly ‘squashing’ the head of a dolphin, as a symbol of his naval victories. Today the palace hosts the Normale di Pisa University. The Church of the Knights of the Holy and Military Order of St. Stephen was also designed by Vasari (1565–1569). It contains Ottoman and Saracen naval banners captured by the Knights of St. Stephen. The ceiling shows off paintings with historical episodes involving the order, like the “Return of the Fleet” from the Battle of Lepanto. http://lovefromtuscany.com/where-to-go/cities-in-tuscany/pisa/piazza-dei-cavalieri/

Piazza dei Cavalieri and Piazza Dante Alighieri are the centres of student life and in the streets around about there are many typical and affordable restaurants. In Piazza delle Vettovaglie there is the historic food market. http://www.grosseto-info.com/index.htm#.Wko_-1T1XLZ

Once you climbed a steep trail top of the mountain you can enjoy beautiful views of the Alt-Ems castle. Old masonry has been decaying since it is no longer needed and nobody has been taking care of it for a long time. The castle ruins at Alt-Ems have been properly torn down – during the redevelopment period of several houses in Marktstraße, Hohenems, stones originally from the castle walls were found. Now, during the redevelopment of the ruins, some of them have been returned to the castle hill. However, that is another story which starts in the early Middle Ages and which demonstrates the cultural importance of the small town at the foot of the castle hill. https://www.bodensee-vorarlberg.com/en/stories/burgruine-alt-ems/

Gamba Castle Built at the beginning of the 1900s from the designs of the engineer Carlo Saroldi, it was commissioned by Charles Maurice Gamba, husband of Angélique d‘Entrèves, daughter of Count Christin d‘Entrèves. Since 1982 it has been the property of the Valle d’Aosta Autonomous Region. After a complex restoration, today the castle houses an exhibition route that winds through 13 rooms, displaying over 150 works of art such as paintings, sculptures, installations, drawings and photographs belonging to a regional collection dating back from the end of the nineteenth century to the present day. Alongside the works of the 20th-century masters, including sculptures by Martini, Mastroianni, Manzù, Arnaldo and Giò Pomodoro, and paintings by Casorati, De Pisis, Carrà and Guttuso, the collection documents Italian figurative art produced from the second half of the century up to contemporary study exponents, such as Schifano, Baruchello, Rama and Mainolfi. A vast and varied selection of works testifies to the movements that have animated the Italian art scene over the past 25 years: for example, the exhibition hosts representations of Informal art, Geometric abstraction, Transavantgarde and Pop art. Particular importance is given to Valle d’Aosta region through the activity of local artists, or those active in Valley, on regional commission. For visitors seeking both learning and distraction, the exhibition offers a series of services designed to bring different groups of visitors (families, adults, schools, children, young people) closer to modern and contemporary art through workshop activities, guided tours and events. http://www.discoversaintvincent.it/en/baron-gamba-castle

It is presumed that a small chapel existed here as early as in the year 800. The All Saints church was first mentioned in historical documents in 1375. https://www.dibk.at/Media/Pfarren/Innsbruck-Allerheiligen#

Look out over the rooftops of Innsbruck as the tower guards once did in the Middle Ages. Guards kept watch from the City Tower for almost 450 years, warning citizens of fire and other dangers. The lower storeys also once served as a prison. Today, the tower is there for visitors to enjoy. Over 133 steps lead up to the 31-metre-high viewing platform, which overlooks the medieval streets of Innsbruck and offers stunning views of Bergisel, Patscherkofel mountain, the River Inn and the Nordkette mountain range. The City Tower is a good 50 years older than the Golden Roof. It was completed in 1450 on the side of the old town hall. It doesn’t seem huge in comparison with modern buildings but 51 metres was very impressive in 1450 and the tower was a proud symbol of the self-confidence of the people of Innsbruck. The onion dome was added 100 years after its completion. Today, the tower still rises up majestically from amongst the medieval buildings in the old town – providing a good vantage point and a romantic view of Innsbruck. https://www.innsbruck.info/en/sightseeing/sightseeing/historical-buildings/detail/infrastruktur/city-tower-innsbruck-1.html

Innsbruck's most famous landmark shines in the heart of the historic old town. The splendid alcove balcony gets its name from the 2,657 fire-gilded copper tiles that adorn the roof. The building has reigned over medieval houses and shady arcades for over 500 years. It was built by Emperor Maximilian who very much enjoyed the view: from there he would look down over the colourful hustle and bustle of his city, watch jousting tournaments and be revered from below. The shining golden roof can be seen on entering the historic old town but it is also well worth taking a look up close. The structure below the roof is richly adorned with a wide variety of figures and images, including many curiosities. An exposed backside sticks prominently out from the Golden Roof. Admittedly, it is only a few centimetres in size and it belongs to one of the many figures set below the roof. Why bare facts? This question remains unanswered and is one of the many mysteries that surround the landmark. Maybe the revenge of medieval craftsmen who weren't paid? We can only speculate. The front of the structure is decorated with a man and two wives: Emperor Maximilian is portrayed next to his wife of the time Bianca Maria Sforza. He didn't like her much, however, and that is why his first wife – Maria von Burgund – also looks out from the relief. Another eye-catcher: Small men with twisted limbs. They are morisco dancers, who were effectively the breakdancers of the Middle Ages. The Golden Roof is a must-see for anyone visiting Innsbruck. Come to the historic old town and see for yourself. You can't miss it. In the adjoining museum, you can immerse yourself in the time of Emperor Maximilian. https://www.innsbruck.info/en/sightseeing/sightseeing/historical-buildings/detail/infrastruktur/golden-roof-innsbruck.html

The Imperial Palace was completed in the year 1500 under Emperor Maximilian I (1459-1519). The palace was built to the same scale as is seen today and was captured as a watercolour by Albrecht Dürer. he painting shows a late Gothic courtyard with covered staircase, a Crest Tower and the women’s quarters (or “women’s rooms”). The reception area, which is known today as the “Gothic Cellar”, was built in the style of a large hall with columns and vaults. A “Kürnstube” (home to Maximilian’s hunting trophies), the “Silver chamber” (treasury) and the Festival Hall (with depictions of Hercules) are also reminders of the time. The “Rennplatz” square in front of the Imperial Palace served as a competition arena to please the sports-loving Emperor. Almost 250 years later, Maria Theresa (1717-1780) visited the Innsbruck palace and deemed it to be behind the times. There hadn’t been any Tyrolean princes since 1665 and the governor, who reigned Tyrol on behalf of the Emperor, lived in the governor’s quarters on the first floor. The representation rooms on the second floor, which were reserved for the Imperial family, were uninhabited. Maria Theresa arranged for the palace to be rebuilt in the Viennese late Baroque style and sent her best artists to Innsbruck: Konstantin von Walter and Nicolaus Parcassi. Martin van Meytens and his school and Franz Anton Maulbertsch were appointed for the interior. The renovations were interrupted by the Seven Years’ War and, therefore, only completed in the 1770s. https://www.innsbruck.info/en/sightseeing/sightseeing/historical-buildings/detail/infrastruktur/imperial-palace-innsbruck.html

Ambras Castle Innsbruck is one of the main attractions in Innsbruck, the capital of the Alps. Its cultural and historic significance is inseparable from the personality of Archduke Ferdinand II (1529-1595), who promoted the arts and sciences as a true Renaissance prince. He established the magnificent Ambras collections and had a museum facility built in the lower castle to house them, designed according to modern criteria from the time. The exhibition attempts to reconstruct the Archduke’s chamber of art & curiosities, his armoury, his collection of armour from famous heroes and his collection of antiquities. In Ferdinand’s time, the living quarters were located in the upper castle. Today, the upper castle is home to the Habsburg Portrait Gallery, which features portraits from Albert III (1349-1395) to Emperor Francis I (1768-1835) over three storeys. The collection contains over 200 portraits, including valuable works by famous artists, such as Lukas Cranach, Anton Mor, Tizian, van Dyck and Diego Velásquez. The ground floor of the upper castle houses a collection of late medieval sculptures and the centrepiece is the St George’s altar that belonged to Emperor Maximilian I. https://www.innsbruck.info/en/sightseeing/sightseeing/historical-buildings/detail/infrastruktur/ambras-castle-innsbruck-innsbruck.html

The Piazza della Signoria has been the center of political life in Florence since the 14th century with the prominent Palazzo Vecchio overlooking the square. It was the scene of great triumphs, such as the return of the Medici in 1530 as well as the Bonfire of the Vanities instigated by Savonarola, who was then himself burned at the stake here in 1498 after he was denounced by the Inquisition as a heretic. A marble circle inscription on the piazza shows the location where he was burned. The sculptures in Piazza della Signoria bristle with political connotations, many of which are fiercely contradictory. The David (the original is in the Galleria dell'Accademia) by Michelangelo was placed outside the Palazzo Vecchio as a symbol of the Republic's defiance of the tyrannical Medici. https://www.visitflorence.com/florence-monuments/piazza-della-signoria.html