Architecture, Bologna

The Villa Medicea at Castello just a few kilometers from Florence's historical center is an ancient complex which boasts an elegant villa and a splendid Italian garden, second only to the Boboli Gardens in Florence. The villa reached the height of its splendor with Cosimo I dei Medici, Florence's new Duke, who turned it into a magnificent residence to celebrate the greatness of the Medici family. He ordered Giorgio Vasari to restore the villa and Niccolò Tribolo to project the Italian garden. The villa presents a simple and geometric design with two floors and Renaissance windows. It was built around a courtyard of the 16th century with Tuscan lodges and pillars. Within the building, we find only one original fresco left from this time: the Annunciation by Raffaellino del Garbo. On the first floor, there is a large hall with frescos representing landscapes painted in the 1800th century, the Sala degli Armadi, the Sala delle Pale and a chapel. The Villa is not accessible to the public since it has been the home of the prestigious Crusca Academy since 1583, a school dedicated to the study of the Italian language. You can, however, visit the splendid gardens without paying! https://www.visitflorence.com/what-to-see-in-florence/villa-medici-castello.html

The Medici Chapels form part of the monumental complex of San Lorenzo. The church of San Lorenzo was the official church of the Medici from their period as private residents in their palace in Via Larga (now via Cavour), becoming their mausoleum up to the time of the extinction of the line. https://www.visitflorence.com/florence-churches/medici-chapels.html

Florence's cathedral stands tall over the city with its magnificent Renaissance dome designed by Filippo Brunelleschi, with the baptistery right across. The cathedral named in honor of Santa Maria del Fiore is a vast Gothic structure built on the site of the 7th century church of Santa Reparata, the remains of which can be seen in the crypt. The exterior is covered in a decorative mix of pink, white and green marble. The interior, by contrast, is pretty stark and plain but quite enjoyable on warm summer days since the temperature inside tends to be cooler. Please note the clock above the entrance on the inside of the church. It was designed in 1443 by Paolo Uccello in accordance with the ora italica, where the 24th hour of the day ended at sunset... and it still works! https://www.visitflorence.com/florence-churches/duomo.html

Здесь будет про сам город

Центр Флоренции. Интересная квартирка рядом с площадью Santa Trinita

The Piazza della Signoria has been the center of political life in Florence since the 14th century with the prominent Palazzo Vecchio overlooking the square. It was the scene of great triumphs, such as the return of the Medici in 1530 as well as the Bonfire of the Vanities instigated by Savonarola, who was then himself burned at the stake here in 1498 after he was denounced by the Inquisition as a heretic. A marble circle inscription on the piazza shows the location where he was burned. The sculptures in Piazza della Signoria bristle with political connotations, many of which are fiercely contradictory. The David (the original is in the Galleria dell'Accademia) by Michelangelo was placed outside the Palazzo Vecchio as a symbol of the Republic's defiance of the tyrannical Medici. https://www.visitflorence.com/florence-monuments/piazza-della-signoria.html

Palazzo Vecchio offers Roman ruins, a Medieval fortress and amazing Renaissance chambers and paintings. A microcosm where art and history have been indissolubly bound for centuries. Palazzo Vecchio is the main symbol of civil power for the city of Florence, whose original project is attributed to Arnolfo di Cambio. Construction on the solid fortress began in 1299 above the ruins of the destroyed Uberti Ghibelline towers, testimony of the final victory of the Guelph faction. The entire construction also rests on top of the ancient theater of the Roman colony of Florentia (dating back to the first century A.D.), whose ruins can be admired in the underground level. This area can be visited with a separate ticket or a combination ticket which includes the Palazzo Vecchio Museum and the Archaeological site. The area is suggestive organized with information and an interesting film to help you understand exactly what you are looking at underground. https://www.visitflorence.com/florence-monuments/palazzo-vecchio.html

Open all of the time, along the pedestrian zone south of Piazza della Repubblica towards Palazzo Pitti Built very close to the Roman crossing, the Ponte Vecchio, or Old Bridge, was the only bridge across the Arno in Florence until 1218. The current bridge was rebuilt after a flood in 1345. During World War II it was the only bridge across the Arno that the fleeing Germans did not destroy. Instead they blocked access by demolishing the medieval buildings on each side. On November 4, 1966, the bridge miraculously withstood the tremendous weight of water and silt when the Arno once again burst its banks. It is also possible to admire the bridge from underneath in theater presentations, the occasional concert and boat rides. After the disaster in 2016, there is talk of turning the work road constructed during the rebuilding of the river walls int a park area, where it will be possible to stroll the river banks and get a close-up view of the bridge. https://www.visitflorence.com/florence-monuments/ponte-vecchio.html

Like a very precious treasure chest, the Uffizi Gallery will grant itself to visitors just a little bit at a time: from the initial uncertainty on where to get tickets, getting through lines to get inside and at the metal detector, then taking two flights of Renaissance-era stairs before you arrive at the actual entrance to the museum. https://www.visitflorence.com/florence-museums/uffizi-gallery.html

This enormous palace is one of Florence's largest architectural monuments. The original palazzo was built for the Pitti family in 1457, designed by Filippo Brunelleschi and built by his pupil Luca Fancelli. The original construction consisted of only the middle cube of the present building. In 1549, the property was sold to the Medicis and became the primary residence of the grand ducal family. The palace was then enlarged and altered; from 1560, Bartolomeo Ammannati designed and added the grandiose courtyard and two lateral wings. Today, the Pitti Palace houses some of the most important museums in Florence: on the first floor is the Palatine Gallery, containing a broad collection 16th and 17th century paintings (including works by Raphael), and the Royal Apartments, containing furnishings from a remodeling done in the 19th century. On the ground floor and mezzanine is the Treasury of the Grand Dukes (formerly known as the the Silver Museum or Museo degli Argenti) displaying a vast collection of Medici household treasures, from table silverware to precious stone vases, rock crystals and precious jewelry. The Gallery of Modern Art is on the top floor, holding a collection of mostly Tuscan 19th and 20th century paintings. https://www.visitflorence.com/florence-museums/pitti-palace.html

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

The vast but unfinished complex, named after the game pelota that was played in one of the courtyards, was built in the second half of the 16th century at the order of Ranuccio I around the Visconti stronghold and alongside the existing church of San Pietro martire. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/pilotta-palace

As the abbey of Santa Giustina, to which was added in the fifteenth century, the Praglia Abbey has enjoyed various events. Founded in the eleventh century, it was built in fief by Emperor Frederick II in the thirteenth century. Subsequently independent, then in, and finally added to Santa Giustina until 1810 when Napoleon suppressed. http://www.turismopadova.it/en/node/18002

As you exit the main highway at Cascina on the east to west road called the FI-PI-LI and start to drive towards the Apuane Alps, you slowly shake off the busy industrial sensations and start to ease yourself into the quiet and tranquility that first drew the Carthusian monks to this area. https://www.discovertuscany.com/pisa/certosa-di-calci.html

il Ponte di Tiberio, was started during the reign of Augustus, as part of his extensive series of public works for Rimini, but takes its name from Tiberius, the Emporor under whose reign the bridge was finished. Built in seven years, between 14 and 21.AD. http://www.visit-rimini.com/general-sightseeing/il-ponte-di-tiberio-the-tiberius-bridge/

In the heart of the modern city of Rimini you’ll find some of the best preserved domestic mosaics from the roman world – the so-called ‘Surgeon’s House’ (Domus Del Chirurgo). http://www.visit-rimini.com/general-sightseeing/domus-del-chirurgo-the-surgeons-house/

The Tempio Malatestiano, or the church of San Francesco as it was correctly known up until the nineteenth century, is perhaps the most important monument in Rimini, and certainly one of the best preserved. http://www.visit-rimini.com/general-sightseeing/tempio-malatestiano/

Situated in Piazza Bra, the amphitheatre of Verona was built in the first half of the 1st century A.D. (between the end of Augustus‘ reign and the beginning of Claudius). http://www.tourism.verona.it/en/enjoy-verona/art-and-culture/monuments-and-sights/arena-roman-amphitheatre

A Romanesque basilica rebuilt after the earthquake in 1117 round a nucleus dating from the 4th or 5th century.Note on the outside the façade with the large rose window called the “Wheel of Fortune”, the marble bas-reliefs on either side of the porch, the famous bronze doors, the bell-tower and the Abbey Tower http://www.tourism.verona.it/en/enjoy/history-heritage/churches-holy-places/basilica-of-san-zeno

The Leaning Tower of Pisa is one of the most remarkable architectural structures from medieval Europe.Tower of Pisa stands at 60 metres and until 1990 was leaning at about a 10 degree angle. http://www.towerofpisa.org/?utm_source=discovertuscany.com&utm_campaign=DiscoverTuscany&utm_medium=referral&utm_content=%2Fpisa%2Ftickets.html

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/

Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli. Founded in 1064 and consecrated with great pomp on September 26th 1118, the Cathedral was built in two stages, one by architect Buscheto, who created the original layout with the basilican body with four aisles and one nave, a transept with one nave and two aisles, and the dome on the cross vault, and one by Rainaldo, who extended the building and the façade. The outer facing of the Cathedral is decorated in alternating black and white shades in stripes of Arab influence and a massive use of reused materials from Roman monuments that emphasised the greatness of the city of Pisa, “altera Roma”. Inside, the nave is edged by two rows of monolithic columns made of granite from the Isle of Elba, flanked by four aisles separated by smaller colonnades with large womenís galleries on top, covered by cross vaults and looking out onto the nave through some double-lancet and four-lancet windows. The nave is covered by a wooden coffered ceiling that in the XVII century replaced the original exposed trusses. https://www.opapisa.it/en/square-of-miracles/cathedral/

The Campo dei Miracoli in Pisa, or the Square of Miracles, was proclaimed a World Heritage Site by UNESCO 25 years ago. The square is not located in the center of the city as you might imagine but to the north-west of the fortified wall, almost out of the town; there probably wasn’t enough space to use at the time the project got underway so this is the site decided upon. Since the times of the Etruscans, the three structures found in the piazza have been considered central to religious life, symbolizing the main stages of a human’s life https://www.discovertuscany.com/pisa/piazza-dei-miracoli.html

The Knights’ Square or Piazza dei Cavalieri, lined with splendidly decorated buildings, has for centuries been the political heart of Pisa and is the second most important square after The Square of Miracles. A visit to the Renaissance church of Santo Stefano dei Cavalieri will give you a real insight in the colourful maritime history of the city. The Knights’ Square – what can you see there? - Palazzo dei Cavalieri was also known as “della Carovana” (Palace of the Convoy). This name derives from the three-year training period undertaken by the initiates of the Order, called “la Carovana”. Vasari embellished it with exquisite sgrafitti, that represent allegorical figures and signs of the zodiac, and the busts of the Grandukes of Tuscany. In front of it stands the huge statue of a victorious Cosimo I proudly ‘squashing’ the head of a dolphin, as a symbol of his naval victories. Today the palace hosts the Normale di Pisa University. The Church of the Knights of the Holy and Military Order of St. Stephen was also designed by Vasari (1565–1569). It contains Ottoman and Saracen naval banners captured by the Knights of St. Stephen. The ceiling shows off paintings with historical episodes involving the order, like the “Return of the Fleet” from the Battle of Lepanto. http://lovefromtuscany.com/where-to-go/cities-in-tuscany/pisa/piazza-dei-cavalieri/

The Baptistery of San Giovanni was founded on 15 August 1152. It is here that the Sacrament of Baptism is administered and the Christian embarks upon the path of Faith. The reason that such a fascinating and enigmatic building was constructed was certainly the wish to endow the cathedral with a worthy adjunct: a Baptistery that, in terms of position, size, materials and style, would be in harmony with the majestic building that already stood opposite. https://www.opapisa.it/en/square-of-miracles/baptistery/

Piazza dei Cavalieri and Piazza Dante Alighieri are the centres of student life and in the streets around about there are many typical and affordable restaurants. In Piazza delle Vettovaglie there is the historic food market. http://www.grosseto-info.com/index.htm#.Wko_-1T1XLZ

The exuberant Santa Maria della Spina Church in Pisa, Italy, is a beautiful work of Gothic fantasy rendered in miniature, that sits on the banks of the Lungarno Gambacorti. The eye-catching Santa Maria della Spina was originally a simple oratory for seamen, who would come here to pray for a safe return. The church was originally closer to the river bank. The church needed to reflect the value of the relic that it contained, so the best artists of the time went to work on it. These included Lupo di Francesco, Andrea Pisano with his sons Nino and Tommaso, and Giovanni di Balduccio. The “Madonna and the child with two angels” in the tabernacle on the façade is attributed to Giovanni Pisano, an important master who also worked at the Cathedral. The sumptuous decorations on the right side and in the tabernacles were made in the workshops of the Giovanni Pisano school. In contrast with the outside, the interior is quite ostentatious. It’s essentially one open space, at one end of which stands the “Madonna of the Rose” by Andrea and Nino Pisano, one of the most notable achievements of Gothic sculpture. http://lovefromtuscany.com/where-to-go/cities-in-tuscany/pisa/santa-maria-della-spina-church/

The construction of the apse in the Cathedral of Vicenza had begun in 1482 to the design of Lorenzo da Bologna, but in 1531 it was still unfinished. Early, temporary, roofing was erected in 1540, as a result of the possibility that Vicenza might host the Church Council which in the end was held at Trent. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The magnificent bigger-than-life Basilica Palladiana is not a church at all and was only partially designed by Palladio. Beneath it stood a Gothic-style Palazzo della Ragione (Law Courts and Assembly Hall) that Palladio was commissioned to convert to a High Renaissance style befitting a flourishing late- 16th-century city under Venice’s benevolent patronage. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The oldest part of the villa dates back to 1353, the year in which Pietro, son of the poet Dante Alighieri, established himself in Gargagnago. http://www.tourism.verona.it/en/enjoy/history-heritage/villas-and-mansions/villa-serego-alighieri

Among the treasures of Val d’Arda is Castell’Arquato with a rich historical centre towered over by the Praetorian Palace and by the Fortress of the XIV century stands out. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

A great number of medieval castles overlook the valleys and countryside creating very suggestive landscapes such as the Fortress of Castell’Arquato. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

The town of Lonato boasts an exceptional monumental complex. Even the most demanding tourists will find it worth visiting. http://www.bresciatourism.it/en/what-to-do/rocca-and-ugo-da-como-house-museum/